Good night. You teach to fast. Expects us all to have🎉 perfect pitch anx bd able to tell what notes and intervals your playing. Worthless lesson for most students except very advanced.
Seems other people agree with me. Very disappointing with teaching. Brenden , I apologize, but you need to critique your teachers methods. They ard not teachers in my opinion. Of all on your staff, you are the only one that is capable of good teaching.
14:32 Hey, Congratulations man….I follow your channel and just sat down to listen to your podcast and guess what? It’s June 28 14:32 hrs. Many Congratulations 🥂🎉
This was well executed compared to most of these “how to” videos on bebop- well done ! That said, I personally take a more historical approach used by the progenitors of this music- lift/ transcribe (I had long conversation at a Barry Harris clinic about 30 years ago and asked his opinion on the best way to learn and assimilate this music and he said “that’s what Parker, Bud Powell, Navarro, Gillespie and he did, so that’s what I’ should do)…
Fantastic. Really helps to do this foundational work with someone. It’s a breakthrough approach. Please consider further variations. Each chord type through circle of fourths? A “random”chart? We all, and the world in general, will be better for it!!! ; )
Beautiful. A decade or two of knowledge and talent in 46 minutes. Rare combination of high level artistry + natural talent in teaching. What a tremendous gift to give away so generously. Thank you.
for exercises like the playing all of the major triads in the beginning, is there a specific fingering that a novice player should use? or should I just use whichever fingering is most comfortable for me? thanks
Great demonstration - Sterling's low-key presentation felt a little more like a real practice session than some of the more production-heavy presentations in other youtube channels. Nice progression of difficulty and inspiring way to show what fluency looks like when you get better. Thank you!!
21:10 love this! Thinking of the left and right hand as “one giant hand.” It comes across in the sound too, his arrangements sound unified and orchestral. It doesn’t come across as overly repetitive or that there’s some commitment to following a particular pattern, voicing, or harmonization. Never heard of Emmet before this video but I was able to appreciate this from start to finish!
