Imagine like with the sound of this music, During WW2 Time with the final Surrender of Nazis. The Germans & Japanese have at last lost. They've done it.
Just love it - Timeless. Barry Gray never truly got the credit he deserved. Just listen to the scores and various musical instrument pieces ...amazing and yes..F.A.B.
❤This got me ‘hooked’ on John Williams🥰❤️… I fell in love with a man I did not know - not even knowing anything about love at all at that time… I just knew that the composer of that music must be such a sensitive person… even up to now, 2023… I still keep on going back to this 1st soundtrack that impressed me… and he went on to impress the world with all the soundtracks that would identify movies with!!! ❤❤🎉🎉❤❤
To everyone complaining that a lone bird of prey wouldn't be able to take out the enterprise D, you're right. They even lampshade it in the movie "That is a Galaxy-Class starship, we are no match for them!" The reason why Lursa and B'Etor came out on top is because they cheated, pure and simple. They used Geordis visor as a spy cam and figured out the shield frequency of the ship. Now i know some of you might bring up the fact that they could just rotate the shield frequency, and you are right, but in the heat of the moment, they didn't think to try it. Never mind the fact that they didn't know HOW Lursa and B'Etor had gotten around their shields.
I can't say for sure, I forgot how I got hold of it. www.soundtrackcollector.com/title/46331/Paper+Chase%2C+The This shows where it's appeared before. Hopefully one day intrada or LaLaLaLand do a fresher copy soon.
I can't say for sure, I forgot how I got hold of it. www.soundtrackcollector.com/title/46331/Paper+Chase%2C+The This shows where it's appeared before. Hopefully one day intrada or LaLaLaLand do a fresher copy soon.
Wilson use your Lighter! Over here! You don't think?! It looks that way! This guy tried to get the door open too. He never made it! What are we gonna do? We're Trapped! I know what we're gonna do. Find that water.
3:14--" *FIRE.* " This one-word command made me think of "The Best of Both Worlds." The only difference is that in that episode Riker gave it as if to add, "...and I really hate to have to do this to you, Captain, but..." while in Generations he said it as if to say, "Get 'em, Worf!"
George Segal starred in the Quiller Memorandum based on the spy thriller by Elleston Trevor (born Trevor Dudley-Smith aka Adam Hall). The name of the author of the Quiller Memorandum remains a tad mysterious but it is one of those under-rated thrilling espionage classics whether in writing or on the silver screen that deserve so much more adulation. If you liked Len Deighton’s masterpiece Funeral in Berlin or the Deightonesque Bill Fairclough’s epic raw and noir spy novel Beyond Enkription in The Burlington Files series, you are going to love the Quiller Memorandum and vice versa. Why mention Deighton and Fairclough you may ask? Critics have described Fairclough who was an MI6 agent (codename JJ) in real life as a posh Harry Palmer and his parents worked for MI1 in Germany in the aftermath of World War II just as Quiller did. Both Elleston Trevor and Bill Fairclough (aka Edward Burlington) used many pseudonyms. Given Bill Fairclough was a spy that is not unexpected but why Elleston Trevor (born Trevor Dudley-Smith) published over one hundred books under about a dozen nom de plumes remains a conundrum. The Quiller Memorandum, Funeral in Berlin and Beyond Enkription are “must reads” for espionage cognoscenti who should of course know how they are linked! John Barry (composer of the Bond, Palmer and Quiller theme tunes) and Bill Fairclough both went to St Peter's School in York where Guy Fawkes and his co-traitors were educated which is why Fairclough's MI6 codename was JJ: see everipedia.org/wiki/lang_en/bill-fairclough + theburlingtonfiles.org.
Thank you for sharing this most amazing soundtrack . . to me, the 'best' films skillfully cast the music score as a kind of 'leading actor', interchanging energy and personality as an extension of the primary lead, so often the hallmark of masters like Barry.
Actually, the cue used here is End Titles from The Search for Spock, as evidenced by the inclusion of the main melody line from Alexander Courage's original Star Trek Theme, rather than just the fanfare, before the credits roll. The Wrath of Khan's End Titles doesn't have that bit.
@@imfsresidentotaku9699 I'd mock you for being a nerd about it, if I didn't own both soundtracks myself😂.. Honestly I can't think of another set of movies with better music❤
the most ridiculous riot sequence ever filmed...lol. it'd have been more believable if fackler had been in a fight, and people came to fight back...then he ran and suddenly there was a riot, because the cops were "abusing authority", or perhaps fackler caused outrage after trying to arrest those thugs he threw an apple at.
