Such a beautiful and much needed project, though it doesn't seem to have been very informed; dance lessons of XVII, XVIII and XIX c. were different than today, and music accompaniment too, not only from the music that was popular in those times. There are records of music used in class from Gustave Desrat and Friedrich Albert Zorn that could have been very helpful in reconstructing violin accompaniment from dancing masters of those times, regardless of the dances that they would learn after these (courantes, minuets, etc.). Now, in order to arrange music for exercises that were introduced later in dance teaching, you should follow the idea of the accompaniment that existed before, instead of using popular pieces/dances from those times.