My goal is to contribute with the Classical Music Community on RU-vid, that helped me so much towards growing as an amator music student for the past years. I select pieces for which I wish there was a music score video, then I do it myself! If you want me to make a video for any piece, just ask me (by commenting or by sending me an e-mail at miguelfmeira@usp.br).
Bella musica di Mozart e particolare esecuzione con il suono dei bicchieri che si accorda con flauto oboe violino e violoncello e non avevo mai sentito prima . Grazie ❤
hadelich seems to have used this exact edition since he conforms to the dynamic markings which I assume did not come from Bach but the editor. maybe this is a rare case of Bach writing some himself but if not (which I assume) its kind of weird that hadreich (who should know that) just flat out uses the dynamics of some editor rather than reimagining it himself. other than that a great recording!
See for yourself: upload.wikimedia.org/wikipedia/commons/a/ae/BWV1006_preludio_autograph_manuscript_1720.jpeg The dynamic markings are Bach's! The fact that this is so rare in his notation means that Bach really wanted this piece to be played that way, which Hadelich fortunately respects.
Vielen Dank, dass Sie mir dieses wunderschone Mozart Konzert geschickt haben. Ein Monat ist vergangen und ich habe nicht mehr zugehort Mozart Konzert und das hat mich traurig gemacht .❤
Grande Bach! La sua musica suonata dal.piu' bravo pianista del secolo scorso appare sempre nuova e diversa e sempre in grado di consolare, mentre si ascolta, le perdite e le delusioni di cui la vita è sempre prodiga. Grazie ❤
I continue not to be able to hear correctly the passage beginning in the second system of p. 2. Everybody-everybody!-seems always to accent the last sixteenth note of each grouping. (I guess maybe to emphasize the changing voice-leading?) I can only hear the first sixteenth of each group if I slow down to .25%) Am I a failure? How do others hear the passage?
Are you talking about the Loure? There are two sections of the Praeludium that always throw me off, whether it is due to the performers accent, or my own mind telling myself there is an accent present due to the melodic line not being where one would expect it to be in the flurry of 16th notes.
Questo stupendo e un po' inquietante brano per archi del musicista Ceco Suk mi riporta col pensiero all'indimenticabile Praga e ai suoi molteplici artisti. Grazie ❤
