wow... I love this kind of chill, experimental vibe… The Ciat-Lonbarde gear brings out these cool, organic sounds … Simple, creative, and a bit different...
Thanks so much for listening and saying so.! Agreed-the CL and Meng Qi pieces always breathe their own life into a patch, leaving me surprised as a patcher almost every time.
All the timing comes from the wing pinger, which just excels at these slow and sometimes inconsistent rhythms followed by bursts. No touch triggers at all! Thanks for listening and saying hello!
@@patchbaydoor_official thank you for your reply and honesty! ❤️And I apologise once more, this is really not the place to ask such things 🙈 Now let's get back to your music! 🤩 I found you only recently and am very happy about this! Keep doing what you are doing! I think it is awesome! 😍
@@patchbaydoor_official Same here! I don't know you but based on the videos I saw here, I got the impression that you are a gentle soul and that just draws me in immediately and my heart went out to you! ❤️
Thanks for listening and asking! WP can certainly take a moment to dial in--I typically ping the Qs from plumbutter and adjust the Qs of WP so that they give the desired envelope. I rarely patch into WP's cutoffs, though this time I did patch in from the MWRS sequencer from plumbutter, so that it they receive a gate only once every 8 steps or so. I love patching out of WP though, because its pitch also sort of dictates its rhythms...!
Thanks much!! Guitar goes into a Keely compressor, then chase bliss mood mk2 (reverb and tape setting, playing a reverse octave up), then to amp (dsm Humboldt simplifier) and mixer. It’s really all mood:)