I thought she was the actress who played Ghanima in the 2003 miniseries Children of Dune. They look very alike. I actually thought the brother was annoying. It was SO predictable when he fell in love with Soji *sigh*. Since when Star Trek involved these silly love stories that have been done in basically every Hollywood romance movie.
hey how have u been? changed your channel name huh? thx for the complement. it's a crazy mashup lol. hey we should collaborate or something. i see you got milli vanilli up, it's my #1 band hehehe no matter what they say
Хотя и много уже лет прошло, но я прекрасно понимаю автора ролика и одного комментатора Что этот отрывок это не только дань памяти Dolores O'riordan , но и просто очень приятное воспоминания о далеких временах, когда черт возьми и правда все было намного проще и спокойней
It was an absolute mistake to kill her off. She walked a line between intensity and self-aware absurdity that left a TON of room for development. Season 1 tried some odd things and failed, but Season 2 was a disaster. Season 3 had potential, but leaned into nostalgia too hard. Amanda Plummer's Vadic started in some ways similar to List's Narissa, occasionally lapsing into villainous absurdity ("goodbye, goodbye..."). Then they just.... ??? Pick a tone and stick with it. At this point, Trek fans are mature enough (even new ones) to tolerate a little self-aware parody.
@@dmitritobias You really haven't missed much. I gave up on Season 2 right at the start, and it was a disaster. Season 3 seemed like a course overcorrection on a very small budget. Some people LOVED it (and they bought off half of the RU-vid reviewers with full season access), but it was god-awful writing and thousands of "hey thats from TNG!" moments. Sorry to rant, but another thing the Picard series did is ruin the character of Seven. I don't mean the catsuit and crap, but she used to be a fully defined character. In Picard, she's just an angry girlboss acting tough and military all the time. Its just really terrible writing.
@@danieldevries2644 rant away my dude. seems like they did season one then didn't know where to take it from there. btw, if you watched Babylon 5, the "stole" Picard Season 1 plot from there. The idea that there was already a war between organic and machines and the machines won and evolved into God-like beings and every 5 few thousand years they would come to eradicate organic lifeform so we don't evolve further and become their adversary. granted, Picard threw in the contextual AI element into it but still...
After listening to Sammy Hagar, I see Narissa and I think -- "Tight pants and lipstick, she's dancing on a razor's edge! She holds her own with all the boys, cuts through the crowd just like a wedge. Fanatics tearing down the barricade trying to reach her stage, can you feel the rage?!" Heavy metal noise!
There is something going on in this show in regards to its villains that I am stunned no one has noticed or commented on. In classic/old school works of fiction the villains were predominantly male. Usually outnumbering their female counterparts 5:1. Male villains were generally the main threat of the story. The mastermind, the serial killer, the conqueror, the terrorist leader, the mustache twirling fiend. Although many male villains were depicted as tragic or sympathetic they rarely had redemption arcs or became good guys. They were often evil and without any hope or desire for atonement. They were introduced as wicked people and eventually met their karmic death at the hands of the hero. However, female villains were completely different. Although female villains always existed, they were hardly ever the main threat of the story. Usually they were a subordinate for the main villain or they were a minor solo villain who was of little threat to society as a whole. They were the seductress, the sexy cat-burglar, the woman scorned, the mama bear, or the gold-digger. They usually only did bad things because they had to or were forced into it by an evil male villain. They were often conflicted and guilt-ridden about their wicked deeds. They would often betray the villain and side with the heroes (sometimes after falling in love with hero) If they were truly sadistic or malevolent they were almost always depicted as being completely insane and could be rehabilitated. Redemption arcs were also extremely common. Examples include Cat woman (a minor villainess who just wants steal things), Scarlet Witch (a sympathetic major villain who will do anything to see here kids again), Harley Quinn (A mentally ill psychotic who is in love with the male villain she works for). Season 1 of Picard is unique, however, in that it completely reverses this character dynamic. With the exception of the cosmic technological abomination that appears at the end of the season, the season’s main villains are made up almost entirely of women. The evil organization, the Jhad Vash, are an all female cult that drive the primary threat of the story. The mastermind of the story, Commodore O, is a female Romulan. Her subordinate, Narissa is the main threat that the heroes face directly throughout the story, a sadistic sociopath who kills without remorse or guilt. She is cruel but also very clearly of sound mind. Finally, Bijayzl, is a mob boss who runs an organization that dissects former Borg and sells their body parts for profit. Even her surgeons are all women. This is most shown in the character dynamic between the sibling villains Narissa and Narek. Narek is basically playing a seductress archetype. He is a subordinate to Narissa and is tasked with seducing Soji. He is shown to be reluctant and conflicted about the morality of his mission and starts to develop feelings for his target. Feelings that could eventually evolve into a redemption arc. When Narissa suspects him of not being able to go threw with killing Soji, she uses intimidation and coercion to insure his compliance. Invading his personal space, verbal threats, choking him, and even forcefully making sexually suggestive physical contact. Essentially bullying him. Intimidation tactics frequently used by male villains to control their reluctant female subordinate.
Mi favorite is alicia carey lexa and eliza taylor clarke mi ship favorite is clexa forever 💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔💔❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤❤
This song is OWESOME!! Nice edition my friend. The final is very sad, R.I.P Hanna and Dunn. I think that when i arrive in the mission final, i make the final that neither Irish and Hanna die, because i like them both
can you try make another vídeo this song with Battlefield 4? I want to download and save it, before RU-vid removes it again due to copyright nonsense@@dmitritobias
Narissa and Narek were the most interesting characters on the show, but the aggressive attitude toward her brother was annoying. I loved the scene where they find each other on the crashed cube and embrace. Shame she was reduced to the cardboard villain. On the other hand, she pulled off the pointy ears on par with Jolene Blalock and that's saying something.
