I upload one composition or two from each cd I listen to. The most of the times are my favorites, a little percentace (maybe 10%) is just to make that composer known. I always also put the link where you can find/purchase the cd, mostly on Amazon. Support the artists if you can. www.amazon.com/
The most of the music you can find here is Baroque of course, but I rarely upload something from Renaissance or Classicism; but no Romanticism or worse later.
Wonderful clear playing thanks to his guitar right hand, which was developed by those renaissance players. It is interesting however that Ragossnig brings out the polyphonic structure so well but ignores them in the runs where he plays 'heavy metal mashinegun style'. Maestro Lawall is recommended in this case. In Milan no.12 he repeats each part also the runs where he uses 'campanella style' and detects the polyphony. Milan no. 7-12 with beautiful film ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-_8l4izwZhy0.html
Thank you. On this channel Lawall explains these technics by going through Milan no. 1-6 enjoy! ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-GG7TBIbChNc.html
Psaume 75 (76) 2 Notus in Iudaea Deus, in Israel magnum nomen eius. 3 Et est in Salem tabernaculum eius, et habitatio eius in Sion. 4 Ibi confregit coruscationes arcus, scutum, gladium et bellum. 5 Illuminans tu, Mirabilis, a montibus direptionis. 6 Spoliati sunt potentes corde, dormierunt somnum suum, et non invenerunt omnes viri fortes manus suas. 7 Ab increpatione tua, Deus Iacob, dormitaverunt auriga et equus. 8 Tu terribilis es, et quis resistet tibi? Ex tunc ira tua. 9 De caelo auditum fecisti iudicium; terra tremuit et quievit, 10 cum exsurgeret in iudicium Deus, ut salvos faceret omnes mansuetos terrae. 11 Quoniam furor hominis confitebitur tibi, et reliquiae furoris diem festum agent tibi. 12 Vovete et reddite Domino Deo vestro; omnes in circuitu eius afferant munera Terribili, 13 ei, qui aufert spiritum principum, terribili apud reges terrae.
Amici della musica ,da appassionato di sonate a tre passando da Corelli ,Albinoni ,Purcell con le loro forme più classiche ,Fux lo trovo non convenzionale anzi direi che oggettivamente sarebbero più delle sinfonie in forma di sonata che sonate a tre vere e proprie , niente a che vedere con quelle citate riferendomi a Corelli per fare un esempio ,Fux usa forme non convenzionali anche qui per chi piace .
Questo compositore per me ' sconosciuto ,ascoltando la sua musica e guardando il periodo storico ,preferirei sorvolare ,composizioni carine ,ma che alla fine non differiscono piu di tanto da altre similari di pari periodo piu o meno .
I took a class about the history of women in music about 15 years ago. A lot has happened since then in my life and I have forgotten most of the composers. I remember Hildy and Barbara, but so much of the class escapes me. Somebody refresh me. Who should I revisit?
Why would someone write "compared to Biber"? Biber was born 40 years after Bertali. It is like comparing Beethoven to Bruckner. Compare Bertali to his contemporaries.
Прелесть! Когда уже это сегодняшнее оцифрованное человечество поймёт, что именно классика и спасёт весь мир от зла, болезней и всего негативного!!!!!!!! Покорнейше Вам благодарю, за высокое качество исполнения!
Título incorrecto: la música española para instrumentos de cuerda pulsada del Renacimiento, no fue compuesta para laud, sino mayoritariamente para vihuela, un instrumento de 6 órdenes, que se afinaba igual que el laud, pero con forma y sonoridad diferentes. Solo hubo otro instrumento de cuerda pulsada usado en España, la guitarra renacentista, un pequeño instrumento de 4 ordenes. La música que se componía y tocaba era similar a la del resto de Europa, mayoritariamente según los criterios contrapuntisticos de la polifonía francoflamenca
