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clayhilley
clayhilley
clayhilley
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@jordipanadesribera6890
@jordipanadesribera6890 3 месяца назад
👏👏👏👏
@jordipanadesribera6890
@jordipanadesribera6890 3 месяца назад
👏👏👏👏
@paulpadillo4591
@paulpadillo4591 5 месяцев назад
Wow. Yes, please. Tremendous sound and style in this difficult florid aria. Bravo, sir!
@kedemberger8773
@kedemberger8773 5 месяцев назад
Thank you Mr Hilley for your rare vocal intelligence and art.
@promptersbox
@promptersbox 5 месяцев назад
Voice much bigger than Brilioth. Amazing voice. The real thing. Wow! I wonder who he studies with? Sign me up.
@falkfink
@falkfink 6 месяцев назад
Great coloratura ability for such a heavy voice!
@mariomazzi7894
@mariomazzi7894 7 месяцев назад
Just beautiful singing!
@MrMichaelvier
@MrMichaelvier Год назад
what a voice!!!!! absolut beautifully fantastic singing .... and of course bravi to the orchestra and Petrenko...and because a lot of people sometimes forget to mentioned , that there is also a composer behind all this ....the greatest composer of the 20th century : Richard Strauss, who gave the Music world this genius Opera and so much more beautiful music....dear Clay Hilley....thx for posting
@dfddwm
@dfddwm Год назад
My favourite in this role (and others!) is Jess Thomas for Keilberth. There isn't quite the psychological insight or sheer beauty of tone of Thomas. I especially liked Thomas's use of mezze vice which this tenor seems to entirely lack, or the occasional squillo in the top notes which this role benefits from. On the other hand he gives the full stand and deliver powerhouse singing which is enough to please most audiences and complement a very satisfactory performance of this difficult opera. As such he is a thrilling talent, similar to Helga Brillioth I think. Let's hope he doesn't wear out his voice!
@ransomcoates546
@ransomcoates546 7 месяцев назад
The part belonged to James King. But this tenor is really quite good- which means he will never be seen at the Met.
@FlowersInHisHair
@FlowersInHisHair Год назад
Spellbinding
@BellaFirenze
@BellaFirenze Год назад
Orrore. Povero Mozart.
@kattrakee
@kattrakee 2 года назад
We love Jon Daker 😁👍♥️Thank you 🎵🎶🎶🎵
@stevenandrewmurray8412
@stevenandrewmurray8412 7 лет назад
Love it that they cast this part with a more heroic instrument! As it should be! Bravo! If only more companies thought like this, we bigger voices would have more work early on!
@tenorjamestaylor
@tenorjamestaylor 7 лет назад
Great job Clay!!
@jennysinginbird
@jennysinginbird 13 лет назад
there isn't enough contempt in the world....