Hi mate, thanks for the video and easy enough to code. Have you found underexposure to be way more sensitive than overexposure? Just seems to be far more limited range on the darker areas

Its not working for super telephoto lenses. Gyro screw up the image much better is use OIS. When OIS is active, the gyro data is disabled.

Then when filming scenes you will need to stabilize in post, perhaps best to shoot a tad wider b/c you will need to crop.

I actually didn’t know this either. I know the gyro stabilization but never knew it would actually fix the jello effect. Very impressive and thank you.

It baffles me why this video is 8min long if its only one button?

WOW did not know this, thank you!!

Do you sell the DCTL for the EL Zone system? I’m clueless on how to make one. I want to study other films using the DCTL.

hy, is there any way to get the lut now?

More content please! Amazing videos

T H A N K Y O U ! ! !

this is genuis!!

AI helped me to generate code for this. It works nice inside davinci when log converted to linear before the DCTL node. I converted it to .vlt LUT and put into my lumix S5iix but everything is so dark on camera monitor.

I didn't known about this features. Thank You for sharing Yours knowledge

Whoa, I gotta try this!

thanks crack!!

This is fantastic, well done! Too late for the download but easy enough to rewrite my own code. Works great in Resolve, however, when I make a LUT the DCTL node is ignored, so I get a LUT with just the CST to Linear. Any ideas why?

thanks man

Fantastic thank you!!! I can't believe this is the first time im hearing about it.

H is pronounced AYDGE, not "haydge".

When you mentioned focal length of lens and the fact you have to specify that for Davinci Resolve, I immediately thought I cannot use this tool if I use Metabones speed booster with vintage Nikon F or M42 lens. I assume there is no way to give sufficient amount of information for Davinci Resolve in order to do its thing, so its better just assume this method is out of my reach as long as I use the speed booster and vintage lenses. Am I right?

The problem is it cropped right. And if you’re using anamorphic lenses you effectively lose the value of open gate and thus you’re back where you started and might as well use an FX3. Around and around we go. All I want is a perfect camera. lol.

Another reason FX3 doesn’t shoot open gate because it’s probably not wanting to lose that 9ms rolling shutter.

It’s not the sensor that’s slow it’s a very high resolution sensor. The FX3 is a mere 12MP for a reason in addition to better low light performance.

It’s not when you move the camera it’s when there’s scene motion of any kind including a fast moving object. Not to be pedantic.

That's why I don't care for nerds who talk about gear, but have nothing to show for. RU-vid is a sea of pixel peepers who have either a portfolio that feels soulless or worse don't even have anything and who talk about specs as if they're pc gamers comparing technicalities of PC components. But the fix isn't a great fix, the image is getting cropped in and you're losing some parts of the image.

Ok but anyway its better save money and go to sony, we need adapt if we want work with tecnology

Is there any way I can set the focal length after the footage has been shot?

This crops the sensor - quite a lot, actually. It doesn't just fix it with no downside. You might as well just shoot cropped and have a faster readout. Also, as you mentioned, it only works for jello caused by the camera moving and the rest of what you're shooting staying still; if what you're shooting moves it will still be distorted. It's all a bit dumb, TBH.

This is bogus. Apparently you do not understand what rolling shutter is. Yes, you can use the gyro for one type of rolling shutter issue, the pan, but what about all the other rolling shutter issues? A helicopter blade rotating, a bat swing, a golf swing, a flash going off, lightning, and countless other situations where the gyro data is useless for that type of rolling shutter. And the sample from CVP as they said, it was minimized but not eliminated and that is debatable because it still looks awful.

If I were to recreate this and use it for 10 bit, would that help the quality of the lot?

Thanks a lot! This DCTL is just what I was looking for!

Very helpful thanks. Will attempt to create the DCTL and export a LUT to try on my Blackmagic camera. Very useful tool.

Why not to add more stops? 🤔, some cameras have a wider dynamic range

I was wondering if you bought the LUMIX or the Blackmagic ? And the main reason is ?

Great video! I wasn't aware of this feature. How about lensflares in the same shot? will it look off?

That is super cool. However, if your camera is on a tripod (or not moving much) and a vehicles pass, they will get the rolling shutter and won't get corrected. So it's a partly fix that comes with an intense crop. Still, good to know!

Fantastic!

wow! just has this crazy thought about making a targeted LUT for certain log to translate it to EL Zone on any monitor system.... it's real!! thanks so much!!

I have the S5iiX and have been trying to solve this issue as it plagues these cameras also. It's the only problem I have with what otherwise is a brilliant camera. I have another 'fix'. Turn the camera sideways on shots that will produce severe rolling shutter. The problem is due to horizontal movement so turning your camera sideways the rolling shutter will be gone. The catch is of course that you need to crop. If you can shoot open gate it'll give you a little more to crop from. Makes tripods and gimbals a bit fiddly but there are also L shaped brackets for securing the camera in this fashion. We are desperate.

I’m going to try on my lumix does it work for lumix

Check out MONONODES tool in there Utility tools. Called -> "EXPOSURE HEATMAP - "Drawing inspiration from the EL (Exposure Latitude) Zone System, developed by renowned cinematographer Ed Lachman, ASC, this tool offers an intuitive, user-friendly interface for exposure correction. Incorporating mid grey and skin tone visualization, the Exposure Heatmap extends its utility, making it an indispensable tool for achieving realistic and aesthetically pleasing skin tones. I think you can absolutely call it something else and get rid of the half stops

thank you 🙏🏻

how did you create or where did you get the Exposure DCTL?

Ah, so gutted the DCTL has been removed. That's a huge disappointment after seeing the potential it had to make my life easier. I understand there is a patent, but damn if that hasn't ruined my Monday. Thanks for making the effort @Diodefilms!

Great video still, and you inspired me to replicate a version of my own, this is a super helpful tool for anyone shooting with a camera in LOG. Had no prior knowledge to coding. Took me quite a few days to figure out the coding part as well as all the various Log curve data by the various manufacturers. I created a DCTL that lets you select what Log curve you are using, and I also decided to use the Log curve data so it is not only accurate but also you won't need a CST to use it with. But of course not all sensor performs the same, so adjustments may still be needed depending on the camera you're using. My reference table has data not just for whole stops, but also in 0.1 stop increments. If anyone wants to have a look at the reference table, I can share them. I suppose creating your own version with data available won't be considered breaching of copyright laws right?

Is there a way I can modify this to be for HDR?

@diodefilms for the LUTs, on sony is the S-Log3Cine corresponding to SCinetone or S-Gamut3.cine?

This is fine if 1: You're OK with losing some of your image 2: You keep meticulous records of what focal length your lens was for every shot.

Odd that Blackmagic wouldn't advertise this. It seems they have used rolling shutter in their 'stills camera' Pocket style line as a way to reduce the cost but you can quickly eliminate this issue using Davinci Resolve in post. 👍🏻

I’ve never seen your RU-vid channel before, and I never write comments, but I’ve just liked and subscribed because of this video