Poppy has never really been a "pop star" per se. Her pop music went along with the character she plays in her old RU-vid videos where she was an AI bot being programmed to be a pop star. It was basically just tongue in cheek satire / commentary on the music industry. Before that she was doing alt / folk music and always wanted to explore heavier sounds because that's the kind of music she's influenced by. Her final pop album "Am I A Girl" started to introduce those heavier elements in the second half. After that her albums "I Disagree" and "Flux" along with the "Choke", "EAT" and "Stagger" EPs all experiment with industrial, metal, punk and grunge. Her last album "Zig" is mostly dark electronica but also has some industrial elements.
Thats true but she keeps saying in interviews that she likes Pop music, she even quoted Taylor Swift's lyrics before singing Bloodmoney in a festival last year and she said in an interview that she likes Taylor, she also said that this song New way out has some Madonna inspirations, also in Zig her producer was a person who worked in the past with Katy Perry
@@ClarisaAguayo-m2nyup, Poppy purposely did a britney like "baby voice" on the second verse of new way out. And Ali payami produced zig. Knockoff is a great pop song imho. The more poppy hones into her strengths I think she's going to meld nu metal, metalcore, electronica and hyperpop. New way out is the Baseline for that. BTW, I'm happy poppy finally recorded knockoff (it's been around since the AIAG sessions)... But I bet she could have sold that song to katy perry for a nice chunk of change. Heck knows it would have faired better than "woman's world".
She's not a pop artist, not anymore, she delves (well) into lots of heavy sounds since 2018. Take a listen to her EP EAT (NXT Soundtrack) and her cover of Spit by Kittie.
I'm assuming this is just your daughters reaction listening to Deftones for the first time, which could only be fly AF but it seems to be taking several minutes for you to even approach the subject of what I've laid out so...leaving
This song is a more radio friendly single. You should check out her EAT EP for her heavier music and screaming. I recommend you to check out her collaboration with knocked loose. The song is titled Suffocate. She can definitely scream!
Ah that’s awesome, man. This is why I’m starting to upload the episodes on RU-vid. It’s so hard to interact with listeners when it’s a podcast. YT will hopefully provide a new audience. Also, new episodes are coming soon. Keep your eyes peeled!
So Doom Trap or Trap Metal (basically the same thing if I'm not wrong) is a mix of trap/rap and metal. The vocals can be metal with the screams etc. or the music with guitars and drums, you also have rap beats with the screams. In many of this songs there's usually some rap in it but mostly screamo rap. The most popular artist of this genre is Scarlxrd (pronounced as Scarlord), my favorite song from him is SHADXWS., Let The Wxrld Burn is another massive banger as well, since you liked Mimi's song you will like this one as well 🤘
These guys are AWSOME. I have been following them on their channel for about 3 weeks. First thing I noticed was no effects pedals, ABSOLUTELY AWSOME, IMHO!!!!!
This song's original studio version from the 1970s had different lyrics (partly in English, partly in German) and wasn't *explicitly* political, though Kraftwerk have always been very political, but in a much more subtle way in their early years. What they did in most of their songs was show how dystopian the world already was (and is) from the point of view of a submissive and falsely naïve person who was happy within the system, while being controlled by it not unlike in "Brave New World". After some time you started to get disturbed by so much joy and perfection, noticed that the supposed happiness was also very cold and devoid of real emotion, and suspected that something had to be wrong. Then you started to think. That was their whole point and strategy from the beginning, and that alone would already be genius, but there was more, including small details like the stark contrast between their (at the time) very futuristic, technological, and innovative sound with their nostalgic retro album sleeve artwork, with a touch of deliberate kitsch. Today, some would call it "post-modern", but they made it before that was even a word, let alone a buzzword. Also, this song title is one word, but is from the *nearly* homonymous album "Radio-Activity" - deliberately inserting a hyphen that transformed the title into a pun, as it could be interpreted either literally as "radioactivity" or as "activity on the radio", two very different things but distantly correlated through electromagnetic phenomena. And indeed, that album's songs alternated between the themes of radioactivity and radio as a means of communication. This makes "Radio-Activity" a curious and unique case of a meta-album - an album of electronic music that explored the very physics that makes electronic music possible. Again, genius. Kraftwerk did not invent electronic music, but it was definitely they who brought it to the mainstream and to the centre stage. Not only that, they created a shape, a form, and techniques to compose and play it, and all that can still be heard half a century later in virtually *everything* you listen today. You can't turn on the radio or Spotify, or go to a dance club without listening to things that are taken for granted in today's soundscape, but were created by Kraftwerk and only later appropriated and digested by others. For this reason, Kraftwerk are considered one of the most influential and pivotal bands of all time. Yet "Radio-Activity" (the album) was poorly received by both the critics and the public at the time, simply because it was so novel that it couldn't be understood. It was also difficult to listen (not unpleasant, though, just a bit strange), contrasting with the easy merry, listen of both their previous "Autobahn" (their first commercial success and a historic album) and later albums like "Trans Europe Express". It took time before people realised that if Kraftwerk created a whole new thing in music, "Radio-Activity" was the complete instructions manual for it. Today, "Radio-Activity" is widely considered a masterpiece, and I strongly recommend a private listen of the whole album - all at once, from start to finish. Probably, you won't like it on first listen. But trust me, it will disturb you, and it will grow on you until you're in a combination of love and awe.
they didnt make much music in recent years.. but they did make this song which most ppl dont even know about . you should make a reactin to it as well . nobody has it .. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-QG3RlwErF0Q.html
All 3 of these guys are polished. you can tell they practice a lot and they even stream their practices live. the drummer sings and has a great voice. they have lots of potential and just need a break. i know i am cheering them on.
