Bellissimo live. Uno dei compositori più fantasiosi dell'ultima decade con una band all'altezza. Peccato per l'eccessiva compressione della ripresa audio.
I saw him last week in a paris jazz festival, live performance of this album is way better than the studio version, the crown was on fire, just as the musicians, thank you Tigran for this beautiful moment last week ❤
He's played both on a few recordings available in the channel linked in this channel's bio, but otherwise there's a really awesome Out of Nowhere performance that's immediately findable on YT.
@@woutandapiano Whoops, I didn't check. He does play Out of Nowhere in the For Gyumri St. Petersburg presentation and Off Minor in the latest StandArt upload, in any case.
Transcribed the whole thing but not happy about the accuracy of the eight bars (3:33-3:49) before the breakdown... I know I've got the notes for the voicings correct, it's more that I can't tell when he's repeating a note or ommitting one. Will probably come back to it later.
@@battlesmk I'm gonna post a transcription of a short version of the end part he played at an airport. I still have the whole thing transcribed for this version but I really hate how inaccurate those 8 bars are so I'll probably just upload it to my gumroad but not post a video.
1:03 5/4, phrases are all five eighth notes. 1:19 4/4. Metric modulation where five eighth notes of the old tempo become a quintuplet group occupying each beat of the 4/4. 1:36 Back to the 5/4 by reversing the metric modulation. 1:47 5/4 bar gets cut off at the seventh eighth note. Whole band plays dotted quarter note rhythm five times, setting up the next metric modulation. 1:51 This part goes 6/16, 5/16, 5/16, 5/16, 5/16 twice and then 6/16, 5/16, 5/16, 5/16, 7/16 (pause). If you add that all together you get 80/16 which is equal to four bars of 20/16 i.e. four bars of 5/4 or four bars of 4/4 where each beat receives a quintuplet like at 1:19. 2:08 Exact same thing, just a variation on the previous riff. 2:42 Drummer accenting every half note on snare and hi-hat, while their foot continues to follow the 6,5,5,5,5 (x2) + 6,5,5,5,7 with the kick. 2:59 This final riff is just a four bar 5/4 loop. It can be felt either as half-time or regular-time.
Just discovered this after hearing him play it in Boston on his most recent tour. I thought it was new! Absolute peak Tigran. I hope they record this reinterpretation for his next album. The picture for the video is perfect, sums up my state while listening!!!
