I agree, Mozart is very much overrated by people, in fact he was a genius, but his piano compositions are boring and simple, but his operas are magnificent! And some symphonies too.
@@gu8lherme552 Not all his piano compositions are boring. Just think at piano sonatas no. 5, 8, 10, 11, 12, 13, 14 and 15. They are beautiful. Also piano concertos are magnificent (for example no. 17, 21 and 24). This rondò too is cool. I don't like too much Violin Sonatas. Mozart is not overrated at all.
one of my high school classmate wrote on my yearbook described me playing the piano as "tickling ivories" I was thinking hmmm, this person never actually learned the basic articulation? Even on earliest pianoforte you still need to articulate to make the clean sound 🤣
Repent and trust in Jesus. He's the only way. We deserve Hell because we've sinned. Lied, lusted stolen, etc. But God sent his son to die on the cross and rise out of the grave. We can receive forgiveness from Jesus. Repent and put your trust in him. John 3:16 Romans 3:23❤😊❤❤
Repent and trust in Jesus. He's the only way. We deserve Hell because we've sinned. Lied, lusted stolen, etc. But God sent his son to die on the cross and rise out of the grave. We can receive forgiveness from Jesus. Repent and put your trust in him. John 3:16 Romans 3:23❤😊❤❤
One day you will learn to appreciate such instruments and their sonority, because at least in my opinion, antique & vintage instruments like these are always so beautiful and unique in my opinion. And please keep your opinion to yourself than spread negativity, its disrespectful..
This performer makes wonderful tempo choices and the sound and as much of his interpretation as one can intuiut :is simply great music making . Hadyn sounds wonderful here because of the music and the musician here .There is a clarity between registers that allows for voices o be heard easily -something pianists struggle with -but it is invaluable of course to hear the instruments that the music was played for .I would never ay that the MUSIC was written for because music often is written with a particular sound in the ear the music comes first .When I see these things I am in awe . His gentleness with the instrument is extremely necessary . I cant imagine that they do really Mozart or Beethoven any favor though they are receptive to minor descepancies in touchh and attack of course not as well a today's keyboards . Boulez 2nd Sonata or Ferneyhough's Lemma Icon Epigram would break this twee thing into shards ! But I've heard this on pianos my entire life and won't compare . I would go to a fortepiano recital only to hear rare music I had never heard likeItalian French or Spanish early 18th century muic which gets so little programmed and yet Royer,Marchand and others have left us wonders !
Of course I meant: now I can imagine the great musical environment where Bach lived. I realize that the performance in the video is the production of the video creator, not even some baroque or renaissance composer.
No abuse, as it's not an untrue observation, just keep in mind that you're talking about fundamentally different textures, i.e. the height of polyphony vs. emerging homophony. It's like comparing apples and oranges, but it's interesting that several of the 20th centuries most notable pianists shared your opinion, and didn't have a lot of admiration for Mozart as a composer of keyboard music.
Everyone in the world knows and loves Ode to Joy, one of the simplest lines ever made. It was Beethoven's. That said, Mozart was way ahead of Bach. Way more versatile. By the way, how many Operas did Bach compose?
Lovely piece, beautifully played, and the instrument is perfect. You can hear the fun-loving Haydn. But there's just one thing... if this is a Paul McNulty instrument (stated in the Description) how come it says Peter Barnes on the name-board?
overall smaller, no metal frame like in modern pianos, brass strings, smaller hammers, lighter action, more shallow action, doesn't resonate as well and isn't as loud as modern grands
modern pianos (after 1870) are no different from each other, but fortepianos were always changing towards the modern ones, and were all very different. The older the less noisy and less keys. The development went for volume to have a larger audience, so that the pianists wanted more tickets to sell. Among modern pianos the one that creates greater sound is considered to be superior. .
Beste Frédéric, bedankt voor je vertolking van Jan Pieterszoon Sweelinck. Je hebt het liedje prachtig en grappig gespeeld. Ja, Regaal. Niet veel Nederlandse orgels hebben dat feature...
Very sensitive playing on this instrument! Very pleasurable listening. Many players would just rush through this with no nuance or dynamic change at all. Beautifully played !
I normally don´t enjoy fortepiano performances but this is particularly fine and really expressive with a wonderful variety of tone. The quality of this particular instrument is superlative.
