@@PotassiumCat6163Yeah there is buddy, there’s something seriously wrong with that.. when you have kids you’ll understand 😅 it takes a certain amount of masculine energy to be a good father , especially to a son , regardless of what you’re woke schools try to teach you
@@Low-Key_Awesome stop commenting on bunting videos and go back to listening to your old ass classic rock or whatever you fucking old ass geezers listen too 😭🙏
Damn idk if i I haven't been keeping up or if you've just been less active, but this is the first piece of content I've seen from you in a minute and it's this wholesome candid clip. Hope you're doing good mate, you two are a lovely couple 🙌
A great way to write a song is to just pick some instruments and sounds and force limitations and just do the whole song in a day. Its easier to capture something magic that way
being able to play random chords isn’t impressive bro. flailing around and hitting random notes isn’t some sort of flex, just because it’s in a specific key signature
I’m not a big fan of my improvisations. It is nice to let it flow and get that juju out but I do prefer to get my songs together and be methodical. I still don’t ever write anything down though.
Thats some legend of zelda, jordan rudess listen to the voice, 1993, saloon blues piano tone, renaissance fair music on caffeine happenin here. I like it.
imagine trying to brag while playing like dogshit on an out of tune piano. Go take a music theory class and stop being an annoying twat on the internet LMAO
the caption with the audio is funny you’re just improvising over simple scales? literally nothing musically innovative here whatsoever. it’s strictly derivative. there’s a reason we’ve been writing down music for thousands of years.
Telling people to “grow up and stop writing music” is crazy 😭😭 I mean like mad respect because this improv is fire, but composing is a completely different art. Spirit doesn’t get lost when writing music, it’s just portrayed in a different way
is the improv really fire? this doesn’t elicit any emotions from me. it’s kinda just notes in a scale being played fast with no structure or clear melody or repetitive rhythm. it kinda sounds jumbled
@@sonsiqueidk, maybe it’s just opinion but I really liked the harmonies they used. Usually I rlly hate when people just go up and down the scales during improv (lookin at you saxophones) but this sounded really nice in my opinion, not sure.
@@BetterCFLOPi’m with you with the harmonies but what’s the point in harmony if there’s no real dissonance to add contrast? improv is especially hard because you have to find a balance between the two. i think she played this well but the piece itself just sounds like harmony, it doesn’t really elicit any EMOTION from me. sure it sounds pretty, idk if i feel anything tho
It's really hard to keep nuance in a completely improved piece. Watch a good high school jazz player improv then listen listen to professional tracks. There's not good tension, relief, or build up. There's no clear direction in the music. Not downplaying skill but there's a reason hit tracks aren't improved and those with improv have extremely talented musicians.
yep, repetition legitimizes. phrasing is the biggest issue with a lot of improv players, they memorize the scales they can improvise over but can’t think of a good enough phrase to follow a lot of times.
@@josh8584when you play the entire video straight (including some shade to electronic producers in the description) it’s kinda hard to think of it as a joke
Both are nice. I doubt you could improvise a track as high energy and refined as some dubstep bangers. But I also doubt you could write a song with as much soul as improv. The best of both emerge from a flow just different flows
Yea that makes sense. More production based music needs time and finesse to get it right while more instrumental based music you can improvise while not caring to much about how the sounds sound. Just that they sound is all you need.
@@StopmotionStudios13yes and no. production based music is a lot more meticulous and tedious but is generally a lot easier and faster to produce than songs using real instruments. you could probably make a finalized hip hop beat in a few hours, but a full scale instrumental composition would take far longer to write let alone record. you forget about quantization, double and/or triple tracking, the fact that it usually takes 4-5 takes minimum to get a recording out of a musician that’s truly innovative and unique. and when it comes to metal the producer has to re-record the bassline because he can usually play it better than whoever is in the band
@sonsique Youre talking about something else. I am talking about the type of improvisation where you get a couple great jazz musicians in a room who just can play. In that type of improv there is no quantizing, double tracking, fixing baseline. They just play. In your scenario the end goal seems to be different. Double tracking an improvised track? Thats crazy. The whole point of improv is to just go. Double tracking isnt possible because that means you have to remember each improv move exactly how you did it. You are talking about composing trough trying. Which is different. Also many of your point for it taking long is just by not being a good enough instrumentalist. It takes more time because you need to quantize and fix baselines? Come on dude.
@@StopmotionStudios13 double tracking is just a part of a production process. even in a jazz setting like a big band horns and winds would be double tracked until you’ve produced and recorded and mixed and mastered a full jazz band you really do show you know nothing of what you’re talking about. these are universal production techniques and getting a full recording out for a jazz band takes a minute, regardless of improv skill. there’s always gonna be one person that needs to come back in for a studio session or something. it could even be as simple as the producer that hired the instrumentalists being unhappy with their takes. nothing, and i mean NOTHING, is all done in one take. it takes time, practice, repetition. this is a universal standard in music regardless of genre. before you speak on something you should have a lot more experience in the field.
@@sonsique Bro didn't watch the video. You ever just trip balls in a room with someone just improv flowing on the piano? Divine. Or a couple buddies that just start winging it with a bass guitar and some drums?
