Guitar and music theory lessons and general discussions about music related topics. Also my original music new and old groups that I have been involved with.
@@jacksonsimonelli8075 believe it or not that isn’t the case here. It somehow just colored that way over the years. A lot of out door shows though so maybe that had something to do with it. I don’t know. However I think it ended up looking pretty cool. I like it better than when it was white in my opinion.
I hope everyone enjoys this! It's one of my all "Time" favorite solos! Sorry for the bad humor!!! Like subscribe and share!!! You guys are awesome! Thank you!
It's great that you addressed the details that most videos skip over, like reading the chord chart and how you might accidentally deaden a string. Great video!
@@smokey5835 very welcome!! Thanks for checking it out! I will have some more basic guitar videos coming soon. Let me know if you have any questions or comments!
GUY UNGER, try to make a bunch of Uli Roth lessons uses scalar sequencing " 3 to 6 note group patterns" Uli Roth specializes in "Note Groupings" in his licks to make lessons about them LIVE Kaleidospop 1977 concert ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-X01G5JQpX1I.html
I listened to the video twice and sat down and played it through, first time. Just kidding. But, this video makes me think is CAN actually play it with some practice and some high output pickups!
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Sweet, tidy and inspiring … Adore maple (and ebony) fretboards - and my Parker Fly’s space-age, brilliant fretboard (1996; my go-to since ‘96 and still plays and looks and feels new). Niiiiice demo. Seen too much shredding of late on other sites. If your licks were not so precise and speedy, I feel I could relax a bit as I play along… Thank you. Cheers / Slainte. 🎸👨🏼⚕️🫶✌️♾️
Great job. Could you listen to the original recording again? I think he doesn' t "bend up to A " in 5:23 - he moves back a fret and plays the same note by bending up. I realize I sound like a moron because I don't read music, and of course, you're a much better player. Just curious.
I went back and listened to the recording and I hear what you’re talking about. He does seem to stay on the G# for a bit at the 9th fret but he ends up bending towards the end of the note. I seemed to rush it a bit and bent too soon. Good catch. He still bends but it isn’t as prominent as I was making it out to be. Thank you!
@@guyunger3280 Thanks Guy, it's just one note you play differently, and in my ears your small variation sounds just as good. If you go to 1.09 on this version (not mine, I don't have the skills), you'll hear what I meant. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-P-It7dYmrfY.html Anyway, thanks for all the work, much appreciated and very inspiring.
nothing much new here. every time I learn a great solo - guess what, it's the triads or arpeggios - every time. I think of the chord underneath now, just remember the chords, dont remember every note by note blindly. the solo notes are from the chords. Mark knopfler is another one, every lick and solo in Sultans are the chords - guess what - it suits the chords - cause it is the chords.
@@Glensully exactly!! The beauty is once you understand how the chord tones work in context the next step is how to get in and out of those notes in interesting ways!! Bends, slides, hammer ons pull offs. Using other scale tones to make those chord tones pop!! I hope this was still helpful though!
@@guyunger3280 yeah i didnt mean it as 'not helpful' especially for beginners. and yes chord tones (thats the base) - then make some tension with other notes is also needed.
Keep rocking. You have a nice grasp of Gilmour ‘s techniques. Glad that you have been able to be a professional musician as it obviously makes you happy and that is why God blesses us with talent… You have worked to turn your talent into a skill. Now that I have located you, I will try to follow you more frequently… hopefully at a more intermediate to professional level. 😊. Cheers / Slainte. 🇬🇧🏴🇺🇸. 🎸👨🏼⚕️🫶✌️♾️
@@johndrowe5281 thank you so much! I really appreciate the kind words! Please let me know if you have any interests that I can help elaborate on. I’d love to hear about any progress as well! Thank you again!
@@anupnegi9824 thanks so much for the comment!! I plan on doing a full breakdown of some of Gilmour’s solos soon. Probably all of “Time”. Let me know if that sounds interesting to you.
Thank you!!! I love me some Gilmour!!! I plan on doing some more. I've got a new one out about nailing the changes. Talking about soloing concepts in general. Let me know if that one is helpful!!
How do you get that creamy sustain tone? Thats the most quintisential sound i cant seem to replicate with my couple of delays, TS9, Boss compressor, and a clone of the RAT?
@@davidpask4232 I actually am using a Helix LT and it’s a sound I put in. It’s basically a Hiwatt with compression a tube driver a tape Delay among a few other things but basically that’s what your hearing there. Hope this helps. Maybe I’ll do a video on the tone.
@@thefollowingseas awesome! I’m glad it helped! I plan on doing more theory videos as well. If I could ask tell me what made it easier for you so I can continue doing the same. Thanks again!
Thanks for this crystal-clear explanation. I like your guitar sound. Are you getting the distortion with a Big Muff pedal or just the drive channel on your amp? And what about the delay? Is it a tape delay emulation (Space Echo) or a digital delay?
Hey! Thanks for the compliment and question! I am actually using a Helix LT and the channel is a David Gilmour preset that I put in. I am using a Tube Driver style distortion but I do have a fuzz available on that channel but not in use on this video. The delay is a Tape Echo style and sounds really good. Hope this answers your question!
Thanks, one constructive comment for you. It would have been much easier to learn and follow if you had a clean guitar setting. The heavy modulation, delay, and gain made it confusing and difficult to hear each of the triad notes while you were demonstrating. Great material though and appreciate it.
@@stoneglad thanks for the comment. I was just using a Gilmour style tone. So I was trying to keep the vibe going, but what you’re saying makes complete sense though. Again thanks for the observation and comment! I’ll keep that in mind while demonstrating the lines in the future.
@@MartinJungblut I appreciate the compliment!! Speaking of tasty playing I did a video on David Gilmour that you might like! That’s another super tasty player!
@@guyunger3280 I suppose I should have said "tasteful", but I reckon "tasty" does express what I mean. It's as if I could taste those licks, my friend! Lots of expression there. I'll definitely check your video on Gilmour :)
@@michaeldaley13 thank you! It was a gift and I love it! It’s actually put together by. Revelator guitars from what I understand. It sounds and plays great!
@@josephduke1388 I do online lessons if you are ever interested! I will also be doing a Patreon soon and I will offer some perks involving some lessons.
@@josephduke1388 thank you! I do online lessons but I plan on starting a Patreon page that will involve some lessons as well! Let me know if you are ever interested!
@@francesclarke6808 actually I am using a Helix Lt for the videos. It’s a simple patch I think I made from watching another video on RU-vid that showed the settings for Time, so I put it together from there. There are some other really easy downloads that other people have done as well. I’m really a real amp thru real pedals kind of guy but this has made gigging and doing videos very simple. It’s basically a Hiwatt running into a 4x12 Hiwatt with a hall type reverb and an old style tape delay. I also have a fuzz on the channel with tube driver available also. I have a compressor in the chain as well obviously. Hope this helps!
What are the Midnight chord names per each finger tapped chord? For the Surfing with the Alien is a C# phrygian Dominant scale played over a I7 chord or V7 chord?
@@guyunger3280 Ok thanks, This aren't barre chords, open chords, or dyads. What type of chords are these called, broken finger tap chords? They are some type of broken chords they BACH used for organ like alberti bass
@@waynegram8907 correct they aren’t Barre chords and I can see a Bach style sound like Toccata Fugue thing but I really think Joe was probably experimenting with shapes. However Joe can be a deep diver as well so I’m not sure. But that’s my gut instinct that he was experimenting with.
@@guyunger3280 yes they did with another guy that had a charvel that custom painted Jake Charvel guitar as I believe. Jake and Warren both use these very wide spreaded out licks that they would use in early RATT demos 79-85 called Mickey Ratt. Warren will use dominant7 licks which I think are called "vertical triad" solos because Vito Bratt also uses Vertical Triadic soloing basing the guitar solos on vertical triad outlines. I don't think you have made a Vito Bratt lessons yet but also Whitelion Demos from 80-85 have a lot of songs but most of Vito Bratt solos are based around vertical triad "outlining" instead of running up and down scales.
Try to make a video lesson about the top 10 double stops diads licks and stacked licks clapton used in Cream. The stacked licks when you roll your index or ringer finger on adjacent strings
@@guyunger3280 CREAM has a 4 CD live album and also a 2000's Reunion Live album which Clapton uses dyad double stops in certain pentatonic boxes and also uses "stacks" which stacks are rolling your ringer or index finger on adjacent strings to do "outlines" of triads. Often will do this during his closing licks
GUY, try to make a Gilmour lesson on Obscured by Clouds on the songs Burning Bridges and Mudmen because I think he uses chord tone soloing also. The Gilmour "Habits" is bending the 4th chord tone to the 5th chord tone or bending the 2nd chord tone up to the minor 3rd chord tone?
@@waynegram8907 I’ll see what I can work up!! Great ideas! Thank you!! And yes his bending other notes up to chord tones is one of his special powers!! Thanks again for the input!!
@@guyunger3280 Comfortable Numb solo#1 has 2 sections the relative major section which is 2 chords then goes to the Relative Minor Section which is 2 chord. If you look at the phrasing of both sections its the SAME scale/pentatonic but the only thing difference is the "tonal center" of the home note. You should make a video lesson about which guitar solos use this relative major & relative minor sections. I have notice also that Gilmour often will resolve on the 5th chord tone giving a dark tonality. I'm not sure what the musical term its called when resolving on the 5th chord tone but its not called an inversion or mode. Gilmour does this to make it has a different tonality color instead of resolving on the root note chord tone.
@@peterdoiron6435 thanks for the sub and comment!! I’m glad you liked it!! I’m always open for suggestions! Let me know what you are into and I’ll do more in that direction!!
I have been watching videos and people have been talking about triads and I generally ignored it and carried on. But lately it has been bugging me why everyone is talking about these triads and exactly what are they. So, apparently what I have always just called mini chords are triads. Ok got it. When did the term triad become popular or was it always a thing and I just ignored it? What is the earliest example of someone referring to triads? Could be way back in the 1700 or whenever the guitar was invented, or could be from jazz and brought over to pop and rock. I know I ignored it and only recently wanted to actually find out what it was but I been playing since the 80's. Did I ignore it for that long? Or did I just think of it as something else?
@@wealthfinder192 thanks for the comment! Triads have been around since the renaissance. 1400 to 1650. However, the term triads wasn’t coined until early 1600 but they were playing them in the 1500s. In the medieval period they basically sang everything as one note and somewhere along the way they began using perfect fifths and perfectfourths. Then in the 1500s they added the third in between it all and hence we have triads because of it. On guitar we think of a triad as a small chord, however our full chords like a G chord or C chord are only made up of three notes they are just doubled and tripled sometimes. I hope this helps.
@@guyunger3280 It was never a big thing to me. My first knowledge of triads was the chinese gangs lol. But then I never did get into studying guitar and just learned by ear.
