Dear Faurc .. I have a question. How critical is the input paper adjustment ? On conventional offset printings a "minimum de-adjustment" on the tray of the input paper makes a mess on the result as the ink will not mix correctly ... Being Riso a duplicator, is this adjustment done somehow in software or so ?? ( I am a mon color Riso user since the eighties when they introduced the machine in the market ) I am not retired but I sold hundreds of Riso to the angolan schools and some other clients.
Thanks for figuring this out and sharing it! It still works for me, just seems like Photoshop handles the Fresco file a bit differently. In the video above at 2:10, when I open the Fresco file in Photoshop on desktop, the Motion layer folder is contained within a Smart Object (which was apparently not the case when this video was made). So I just had to add a couple simple steps to his process to get things to work: I double-clicked that Smart Object layer, which opens up a new temporary document with the Motion layer folder in it. I selected the folder and its layers and brought it into the Fresco file. Then I deleted the Smart Object. Now my file looked correct, and I was able to copy my video clip layers into it as shown in 6:28. The rest of the steps worked as shown. Hopefully Adobe will make adding video frames to Fresco much easier someday soon.
That's such a long process. It would almost be faster to use something like Morpheus and Photoshop together. Creating a video frame by frame is a forever task.
Your process produces much higher quality than all the other infinite zoom techniques I've seen so far and is much easier. Here is a summary of the infinite zoom technique using Midjourney and After Effects: Overview - Leverage Midjourney's custom zoom to generate a sequence of incrementally zoomed-in AI images - Import images into After Effects and scale each by 2x to transition seamlessly - Add feathered masks between frames to hide edges - Use exponential keyframe scaling to create natural accelerating zoom Midjourney Process: 1. Start with an extreme close-up prompt e.g. "landscape oil painting, thick brush strokes" 2. Stylize and zoom out 2x multiple times prompting for new images along the way 3. Progressively update prompts to steer images, increasing stylization 4. Export final zoom sequence of 9 images After Effects Animation: 1. Import sequence in order and reverse so widest view is on bottom 2. Scale bottom image 200% to fill frame 3. Turn on next image - it should now match framed size 4. Pick whip layers so scaling is linked 5. Add 100px feathered mask to hide edges 6. Repeat scaling x2 and masking up image sequence 7. Animate exponential zoom over timeline from wide to closeup view 8. Export high-res render for flexibility
In your example, only one note can be played at a time for red, green or blue. The velocity and duration are not taken into account, so it sounds strange. When the note is changed, the velocity of the previous key value should be set to 0, like when I release the key on the piano. Example: if $i1 == 55 (Key Value) then bang -> (bang = Key Value) + (bang Velocity Value) and If $i1 != 55 then bang -> (bang= Key Value 55)+ (bang Velocity Value=0)
Very helpful video, thanks! Need help - I decided to delete the kerned couples and then I ended up with no space between the words at all. How to return the space between the word? edit: I think I got it - giving the space button more distance.
Thanks so much for this tutorial!! I was wondering if you know an alternative to the Motion app (I'm on PC) or just knowing how to recreate the ping-pong effect in another video editor?
You can do something similar in Adobe AfterEffects (they have a video morphing that is similar to Optical Flow and one can reverse video playback so you would just copy and paste video on the timeline and alternate the playback from forward to reverse to forward.
Can you make tutorial about how to put objects on images to zoom out with objects. It would be cool. I’m trying to do it my way, but I really think there is another way I don’t know 😊