Hey guys thanks for taking the time to check out my page! I hope you enjoy the content I made :). I am mostly focusing on Music production. I hope you find my videos informative and or entertaining. If you enjoyed your stay please be sure to like comment or subscribe and drop by again for more content.
Learn Music Production With Fl Studios: ru-vid.com/group/PLOAyyCeKwsR42q150SE5cY35XMjJiD0HP
Want to know what version of FL Studio I use?: amzn.to/2LKudAM
I think you can lay in a lead in metronome measure and just loop nine bars instead of the eight, gives you a second to reorient between transitions and hit that first note on time. Sounds great man, thanks for this really helpful tip
no matter what will I do it just doesn't work. I've been re searching this shit for FUCKING SIX HOURS BY NOW and NOTHING helped me, please for fucks sake does anybody knows how I can fix this shit, yes I have it set to external yes the shit is playing but keys still don't make sound
aaahahahaha maybe *you* don't want low frequencies interfering with your pitch correction I abuse pitcher for bizarre effects so much I'm not sure it even technically qualifies as a pitch correction plugin when it's me using it :D
If you start comparing one note against another you an HEAR the color differences. This is where both Adam Neely AND Rick Beato get it _completely_ wrong. After a few years of observing my own perceptions it started to become clear that our hearing really is _spectral._ The notes to have their own chromatic textures that match the energy of a color. For example, songs about death or estrangement gravitate to A-flat, which I see as blue, and circular. It sounds very distant, like twinkling stars. // Or, as stated in the video here C is an up-beat, positive key, and amazingly (all you have to do I look) loves songs are constantly being written in C. ALL of the Eurythmics loves songs are in C major. This a very important video because no one talks about this except Classical musicians (because there is a whole history of how keys were used for specific themes). Thanks, Professor, and, please everyone, see my work on this subject here at: _The Acoustic Rabbit Hole_ I have a feeling I've figurd out the entire thing (24 major and minor keys). Your, _Acoustic Rabbit Hole_
see what a clipper does is shave the peaks, some have round curves some have straight chop shaves, you need to shave those peaks so your mix doesn’t have a pumpy sound when you add a limiter to the mix, the threshold on a limiter is more effective when your levels are more even through the mix and best way to get a even mix is to use that clipper first
finished mixing, use the clipper plugin, ready for mastering, lower the volume, then use a limiter or your mix will be pumping due to the dynamics of the peaks varying throughout the mix
What ive learned is as long as you lower your masters volume you can always create new headroom, to bring the dynamics back out in the mastering phase just lower the tracks volume 3-6 dB, then add a multiband compressor and enhance frequencies in the highs but watch your hi hats HF’s, boost a little in the low mid frequencies to give it some body (300-450 ), cut below 20 Hz to clean up the mix and create a space for the vocals to sit better in the mix, boost slightly in 5khz HMF to give it that shine.
Stop using limiters, you’re completely altering the dynamics of your entire mix, use a soft clipper or hard clipper, then when you get to the mastering phase then you bring the limiters out and increase the thresholds on your track, clipping will never be a problem if you use a clipper plugin, just shave the peaks of your tracks and get the mix sounding exactly how you want it to sound, dont let any DAW make you sound puny, dont let them force you to have a dull overly compressed mix every time just because you’re afraid of clipping on a track!!! USE A HARD CLIPPER!!
FL’s mixer limits the dynamics of its frequency bands, everything sounds small af in FL, listen to me!! I study almost every DAW, this mixer is trash! Nothing sounds like it should, not even the volume levels!!!
fuck all that zero decibels shit, you can turn the volume down later, FL needs to have the option to increase each tracks volume to 15+ dB, most plugins wont send the best signal from plugins if you exceed 0 dB anyway, but if you turn the master down at the end of your mix, and add a hard clipper you’ll be just fine, you’ll even add some nice harmonics to your sound