I CALL THIS THE PLAGUEAL TURNSAROUNDCADENSENZA SONATA BLUES [ABA' ] iii iNXiii TONE CHORD CHROMATIX DURATION CENTER 13CHORDSARPEGGIOS MONACHORD GUITAR IMPROV IN COMPOSITION MUSICK13 GUITAR MASTER CLASS. ssSUSss.iMitriCHORDSDURATIONS POLY ETC PERFECT LAWS. GUISZE, SIMITRI DURATION, SIMITRI ADD MEASURE, SIMITRI INFINITY TIMEMACHINE READ ANYWHERE ON THE CHARTSCORE. [- - -] FUXLIGTIECROSSBEAMfffReeEttCROSSBARRE. + INFINITY TECHNIQUES PERFECTLAWS HEAVEN UNITED NATIONS. TEN COMMANDMENTS TEN PRECEPTS ETC. THE STANDARD GUITAR IS A 13 STRING TONE CENTEROOT [eeX] ELECTRIC GUITAR HYBRIDIZED SUPERPOWERS WITH STEEL STRING ACOUSTIC AND NYLON CLASSICAL, ANYWAY I WROTE ABOUT IT A BUNCH BEFORE, IT HAS HYBRID STRINGS OF ALL THREE TYPES OF GUITARS, CENTERED ON ELECTRICK EVOLUTION ADVANCED SPECIES COUNTERPOINT. NASA SPACE TECHNOLOGY DESIGNED, THE WHOLE THING, EVERYTHING BASSED AMIDHA TREBTOP TOP TECHNOLOGY. ELECTRICK AMP, AND THREE ELECTRICK STANDARD GUITAR PEDALS WHICH MIX, 1ELECTRIC, 2ACOUSTIC STEEL STRING, 3NYLON CLASSICAL. DO YOU THINK IT HAS HIGH TECH FHOLES? OVATION TOPS, WITH ALL THE WEIRD HOLES, UH, THEN THERE'S FHOLES WHICH ARE PUT INTO A SOLID BODY, AND SO THE ACOUSTICS GO IN LIKE THAT, ETC. REMIND ME OF NASA TOP BEST BASE TECHNOLOGY ON EARTH TYPE STUFF. ANYWAY, IM TALKING ABOUT THE ONE STANDARD GUITAR. [eXX].Xiii. IT TRICKS OUT BY ITSZELF IN TRICHORD AGGREGATE TONE CENTER [=] [eeE]. EVOLUTION DEVELOPMENT. THE THING IS, WHAMMY BAR, YOU GUISZE KNOW WHICH ONE IS THE MOST SUPERPOWERS. OR IS WHAMMY JUST AN FX PEDAL THAT OUT WHAMMYS AND COMES WITH THE GUITAR. ANYWAY, THE COMPANY COMES OUT AND COVERS ALL THE BASSES WITH SUPPORTIVE EQUIPMENT TROUBLE SHOOT SAFE.GOVUN.LAWS. AND I.T. IS ALL RIGHT THERE FOR YOU TO SHOP ONLINE ORDER, ON THEIR WEBPAGE, ALL ON THE SAME WEBPAGE, AND THERE ISN'T ANY DOUBT LEFT. T-1000 METAL BISCUITS NATIONAL GUITAR AND SLIDE PEDAL FX. ALL BLENDABLE, MIX, MIX, MIX. SHOULD IT BE ENTIRELY FRETTED? OR MOSTLY FRETTED WITH FRETLESS AND OR SCALLOPED SPOTS. DOT.GOVERNMENT LAWS UNITED NATIONS SHOULD ABSOLUTELY KNOW. :) OR ARE THOSE ALSO FX PEDALS? OR BOTH? ETC. BASSE FLANGER FRETLESS? OR IS THAT REVERB FX? SITAR FX. SUBSET GUITARLIKE INSTRUMENTS FX PEDAL UNITED NATIONS. MIX. AND DID YOU GUISZE CONSIDER IT MIGHT ALSO BE PART METALLICK FRANKENSTIEN T-1000 TERMINATOR NATIONAL STEEL STEEL STRINGS BUISCUTS ACOUSTICK GUITAR TOO? DOY. DUH. WHAT DO YOU THINK GUISZE? YUM? 13MATRIX TC INFINITY.
could someone please please tell me what notes the bass is playing (not anywhere in video in particular but as a rule, what is the underlying principle in backing up a solo?) - and please don't laugh I'm just a beginner and amateur
the most basic thing is playing the root (lowest note) of the chord being currently played or you can play the fifth (from the root) or the major/minor third (always from the root)
I’m an old professional guitarist and discovered John back in the late 60’s along with Larry Coryell. I immediately started buying anything he produced, both as a solo artist or with ensembles and began transcribing as much as I could. Every time I thought I was getting closer he jumped about fifty steps ahead. I was playing in cover bands back then backing up prima donna singers in bars and would drive the other band members crazy by bringing in McLaughlin’s tunes to play as break songs. Eventually I made the transition to the orchestra pits for Broadway musicals where I couldn’t get away with this habit anymore. Some time in the 80’s I got to briefly meet him before one of his gigs and told him about how he influenced my playing and my musical life. He was extremely modest and somewhat self-deprecating when I told him about my crazy quest to transcribe all his work.
what amazes me is how well and how thoroughly he has organized the materials! He has clearly given a lot of time and consideration to an efficient method of communicating his approach!
When the master speaks we better listen ... I met John several times and I have to say he's first of all such a nice and gentle man. I remember I started admiring him 55 years ago, 51 years ago we met.
"lets look at the minor pentatonic scale " - then completely destroys any notion or understanding anyone has of how simple it is by making it sound like the most ridiculously difficult thing you have ever heard - the greatest ever
This'll be taken off RU-vid due to copyright possibly? Be interesting to see how long it lasts. Very interesting stuff anyway from a guitarist & composer I've admired for the last 50 years since a first heard birds of fire. My other hero is genius allan holdsworth.
i have learnt it too notes by notes. Still remember Dalto's genius rhodes solo and it's so amazing to hear it again to interpret into a guitar. Well done amigo!
