Эдуард, можно я скину вам видео, как я пытаюсь исполнить гюке, а вы оцените его, правильно или нет..? Я так понял, он очень похож на каргыраа по технике, только звук рождается глубже, или вообще не о том речь?
When you sing in the beginning, you look relaxed. During the exercise you say that you need to push strongly and there is a lot of tension. I'm confused, how I am supposed to sing relaxed if I practice in a different approach with fatigue, and also sore throat?
Very useful, i’ve been able to do throat singing after 1 week doing these exercices! However i’m out of breath really fast, can’t hold a tone for more than 3 seconds... tips to develop breathing would have been great too!
breathe using your diaphragm, engage the support muscles the same way as if singing for air control and better lengths, its also safer that way because its relives tension in the throat.
Благодарю)) Чудесные воспоминания. Растрогали. Заставили опять подумать о главном, о смыслах жизни, о человеколюбии. С большим уважением и любовью к людям сняты интервью. Хорошая работа видео оператора.
Very nice! It's awesome to witness people who can perform Gyuke solely on self teaching. I have been working on the technique for years. Here is a sample of me performing.. soundcloud.com/rhys-sinclair/seishin-tibetan-overtone
Greetings Rhys, great chanting! I am in the process of figuring out the technique myself. It seems somewhat more relaxed than kargyraa. Do you perhaps have any tips? I don't think I ever could go as low as yours, but maybe around A-pitch. Is gyuke the same technique Lama Tashi uses? He chants a couple of notes higher in pitch, but at extremely high volumes and lots of overtones! Thanks in advance.
Hey (Morgen?)! I've never been able to nail kargyraa, but I would agree that the technique feels more relaxed, though I believe relaxation is necessary for all low register overtone techniques. Kargyraa is far more nasal, and I think the resonance point is higher up. Thanks for the kind words :) as for tips..firstly, for any real session, warm up. The typical vocalist warm up where you blow air like bubbles between your lips while humming from your lowest up chest voice up to your highest head voice and back down really works for me, even as a decompression between singing. Steve Sklar, a very famous american khoomei master, taught me a good tecnique for when you dry your vocal chords out. Simply take a small mouthful of lukewarm water into the mouth (never cold as it shocks vocal chords), hold the water in mouth, lean forwards so your face points to the floor, and breath inwards gently as to bubble the water at your lips. The water vapor will help rehydrate vocal chords. For me, to get as low as I did in that song, I must be very relaxed and maintain that relaxation during practice. I try to push the resonance point further down, into my chest, all the way down to the heart. I find the lower I go, the less breath and tension required, so you can start the tone very gently, even from a very light breath out. The higher the pitch, the more projection and tension required from me. It might be different for you. Since there is barely any information on the tibetan chants out there that I have seen, im not sure of the line between gyuke and the higher style. What I do know is Lama Tashi is incredible and without doubt a master. I struggle with getting harmonic overtones into the singing, he excels at it! I wonder, kargyraa may help with this, but the tibetan 'overtones' sound very unique. :)
Thanks for the answers!:) I will practice everyday.. Will be seeing Phurpa live in july, so perhaps the technique will be even more clear when hearing it in person. Thanks again!
