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鴻巣締め(埼玉県鴻巣市)
1:54
2 месяца назад
Комментарии
@user-cs3le5ho4h
@user-cs3le5ho4h 7 часов назад
吉見町古名集落の一部は、この工事の為に土手上に転居したんだっけ。
@giuseppecandiano5528
@giuseppecandiano5528 Месяц назад
Tsuyoshi Yamamoto, a name synonymous with elegance, precision, and emotional depth in the realm of jazz piano, has captivated audiences worldwide with his artistry. Whether performing solo or leading his trio, Yamamoto's music exudes a unique blend of technical brilliance and soulful expression that sets him apart as one of the finest pianists of his generation. Solo Performances: As a solo artist, Tsuyoshi Yamamoto demonstrates an extraordinary command of the piano, weaving intricate melodies with a touch of grace and sensitivity that is truly remarkable. His solo recordings, such as those found on "Autumn in Seattle," highlight his ability to convey deep emotion through his playing. The album is a masterful collection of standards and original compositions, each piece rendered with a touch that is both delicate and powerful. Tracks like "Misty" and "The Way We Were" showcase his nuanced approach to phrasing, dynamics, and harmonic exploration, revealing a profound understanding of the piano's expressive capabilities. Yamamoto's solo performances are characterized by a clarity and precision that allow each note to resonate with purpose. His technical proficiency is evident in his fluid runs and intricate voicings, but it is his ability to convey emotion that truly sets him apart. Whether interpreting a ballad or an up-tempo number, Yamamoto's playing is imbued with a sense of storytelling, drawing listeners into the narrative of the music. The Tsuyoshi Yamamoto Trio: While Yamamoto's solo work is impressive, it is within the trio format that his genius truly shines. The Tsuyoshi Yamamoto Trio, often featuring bassist Isoo Fukui and drummer Tetsujiro Obara, has produced some of the most compelling jazz recordings of the past few decades. The synergy between the trio members is palpable, creating a musical dialogue that is both intricate and intuitive. One of the trio's most celebrated albums is "Midnight Sugar," a recording that has become a benchmark for audiophiles and jazz enthusiasts alike. From the opening notes of the title track, Yamamoto's piano sparkles with clarity and energy. The interplay between piano, bass, and drums is seamless, each musician responding to the others with a sense of spontaneity and cohesion that is the hallmark of great jazz. The trio's rendition of "I'm a Fool to Want You" is particularly noteworthy, with Yamamoto's lyrical improvisations painting a vivid emotional landscape. Another standout album is "Misty," which features the trio's impeccable interpretations of jazz standards. The title track, a staple of Yamamoto's repertoire, is rendered with a sensitivity and warmth that is simply captivating. Throughout the album, the trio's dynamic range and subtle interplay are on full display, highlighting their ability to move effortlessly between delicate ballads and more robust, swinging numbers. Artistic Genius: What makes Tsuyoshi Yamamoto a true genius in the world of jazz piano is his ability to blend technical mastery with heartfelt emotion. His touch on the piano is both precise and expressive, allowing him to convey a wide range of emotions through his music. His interpretations of jazz standards are both respectful of tradition and infused with his own unique voice, making each performance a fresh and engaging experience. Yamamoto's compositions further illustrate his artistic vision. Pieces like "Blues" and "Autumn Leaves" reveal his deep understanding of jazz harmony and form, while also showcasing his ability to infuse his music with a sense of lyricism and narrative depth. His music is accessible yet profound, appealing to both seasoned jazz aficionados and casual listeners. Tsuyoshi Yamamoto stands as a towering figure in the world of jazz piano. His solo performances are a testament to his technical prowess and emotional depth, while his work with the Tsuyoshi Yamamoto Trio showcases his ability to create compelling and cohesive musical conversations. Whether interpreting standards or performing original compositions, Yamamoto's music resonates with a rare combination of clarity, sensitivity, and soul. For anyone seeking to experience the beauty and complexity of jazz piano, exploring Tsuyoshi Yamamoto's extensive body of work is an absolute must. His recordings are not just performances; they are profound musical journeys that leave a lasting impact on all who listen. www.candiano.com/
@giuseppecandiano5528
@giuseppecandiano5528 Месяц назад
Tsuyoshi Yamamoto, a name synonymous with elegance, precision, and emotional depth in the realm of jazz piano, has captivated audiences worldwide with his artistry. Whether performing solo or leading his trio, Yamamoto's music exudes a unique blend of technical brilliance and soulful expression that sets him apart as one of the finest pianists of his generation. Solo Performances: As a solo artist, Tsuyoshi Yamamoto demonstrates an extraordinary command of the piano, weaving intricate melodies with a touch of grace and sensitivity that is truly remarkable. His solo recordings, such as those found on "Autumn in Seattle," highlight his ability to convey deep emotion through his playing. The album is a masterful collection of standards and original compositions, each piece rendered with a touch that is both delicate and powerful. Tracks like "Misty" and "The Way We Were" showcase his nuanced approach to phrasing, dynamics, and harmonic exploration, revealing a profound understanding of the piano's expressive capabilities. Yamamoto's solo performances are characterized by a clarity and precision that allow each note to resonate with purpose. His technical proficiency is evident in his fluid runs and intricate voicings, but it is his ability to convey emotion that truly sets him apart. Whether interpreting a ballad or an up-tempo number, Yamamoto's playing is imbued with a sense of storytelling, drawing listeners into the narrative of the music. The Tsuyoshi Yamamoto Trio: While Yamamoto's solo work is impressive, it is within the trio format that his genius truly shines. The Tsuyoshi Yamamoto Trio, often featuring bassist Isoo Fukui and drummer Tetsujiro Obara, has produced some of the most compelling jazz recordings of the past few decades. The synergy between the trio members is palpable, creating a musical dialogue that is both intricate and intuitive. One of the trio's most celebrated albums is "Midnight Sugar," a recording that has become a benchmark for audiophiles and jazz enthusiasts alike. From the opening notes of the title track, Yamamoto's piano sparkles with clarity and energy. The interplay between piano, bass, and drums is seamless, each musician responding to the others with a sense of spontaneity and cohesion that is the hallmark of great jazz. The trio's rendition of "I'm a Fool to Want You" is particularly noteworthy, with Yamamoto's lyrical improvisations painting a vivid emotional landscape. Another standout album is "Misty," which features the trio's impeccable interpretations of jazz standards. The title track, a staple of Yamamoto's repertoire, is rendered with a sensitivity and warmth that is simply captivating. Throughout the album, the trio's dynamic range and subtle interplay are on full display, highlighting their ability to move effortlessly between delicate ballads and more robust, swinging numbers. Artistic Genius: What makes Tsuyoshi Yamamoto a true genius in the world of jazz piano is his ability to blend technical mastery with heartfelt emotion. His touch on the piano is both precise and expressive, allowing him to convey a wide range of emotions through his music. His interpretations of jazz standards are both respectful of tradition and infused with his own unique voice, making each performance a fresh and engaging experience. Yamamoto's compositions further illustrate his artistic vision. Pieces like "Blues" and "Autumn Leaves" reveal his deep understanding of jazz harmony and form, while also showcasing his ability to infuse his music with a sense of lyricism and narrative depth. His music is accessible yet profound, appealing to both seasoned jazz aficionados and casual listeners. Tsuyoshi Yamamoto stands as a towering figure in the world of jazz piano. His solo performances are a testament to his technical prowess and emotional depth, while his work with the Tsuyoshi Yamamoto Trio showcases his ability to create compelling and cohesive musical conversations. Whether interpreting standards or performing original compositions, Yamamoto's music resonates with a rare combination of clarity, sensitivity, and soul. For anyone seeking to experience the beauty and complexity of jazz piano, exploring Tsuyoshi Yamamoto's extensive body of work is an absolute must. His recordings are not just performances; they are profound musical journeys that leave a lasting impact on all who listen. www.candiano.com/
@stepaneritsyan
@stepaneritsyan Месяц назад
Listeners are not so kind and loud.This lady play beautiful and seems that nobody listen.Shame to listeners
@user-ff4lo6ox3b
@user-ff4lo6ox3b Месяц назад
結成当時よくライブに行っていました🎶 ルックスがほとんど変わって無いのと歌唱力も全く衰えてなくて嬉しかったです💕 また、ライブ行きたいな🌠 人柄も良くて優しい方たちです✨
@user-sh8dy3ds5f
@user-sh8dy3ds5f 2 месяца назад
小雨の中のお祭りでしたが、夜店も、お祭り小僧もむしろこのくらいがよかったかな?主催者の方々のお陰で鴻神社も一安心、お神輿担いだいなせな若者たち、、、次はいずれの町に?、、、好天を祈る😮
@user-vr8jh3bb5o
@user-vr8jh3bb5o 2 месяца назад
ジャズギタリストというご職業もあるのですね。初めて知りました。 無知ですみません。 とても勉強になりました。有り難うございました。
@user-te4lr2jc1t
@user-te4lr2jc1t 2 месяца назад
今の時代だから、女が御神輿に触るなとか、外人が御神輿に触るなとか、 野暮なことは言わない。でもさ、御神輿に乗るんじゃねヴァ~カ! 汚ネーケツ、御神体に向けんじゃネーッ!大町大門のデブ!
@ジョンソン-g8d
@ジョンソン-g8d 2 месяца назад
31:25
@nekoto018
@nekoto018 2 месяца назад
観に行けなかったので、配信感謝いたします
@animoceria
@animoceria 3 месяца назад
It`s a shame that people are talking so loud during the fine guitarplaying.
@nem7578
@nem7578 3 месяца назад
コメ欄見て自分だけじゃないと安心した。客の民度が低い...
@ryanisbig
@ryanisbig 3 месяца назад
so this part always be held every year in Japan?
@user-jl8tk1dr5u
@user-jl8tk1dr5u 4 месяца назад
素敵な演奏 だまって聞くべし
@peterb7923
@peterb7923 4 месяца назад
Great music, great musicians!! But I knew it would be great. When Fumika Asari is in the band, I know I'm gonna love it.
@ruslanachkinadze
@ruslanachkinadze 4 месяца назад
Sax sounds so cool. My like is 405👍🏻
@user-xv1lh5id6q
@user-xv1lh5id6q 4 месяца назад
サックスのソロは音もフレーズも昔の名前で出ていますだな😢まあしょうがないけどね。
@ysheen.6769
@ysheen.6769 4 месяца назад
ギターさんいい演奏してるのに・・聴きに来たんだったら話しないで静かに聴いてほしい
@williammelton2037
@williammelton2037 4 месяца назад
Fumika Asari ❤
@terryonly9723
@terryonly9723 4 месяца назад
観客の中にライヴのマナーを守らないアホが多い!居酒屋じゃないんだよ!
@Kekothekid
@Kekothekid 5 месяцев назад
Excellent performance,
@RA-ll8es
@RA-ll8es 5 месяцев назад
ピアノのおっさん セーター反対に着てるだろ タグ出てるぞ
@producer2123
@producer2123 5 месяцев назад
Nice playing. No matter the country, people talk rather than keep quiet and just listen. This is why I stopped playing in clubs.
@mkei4390
@mkei4390 6 месяцев назад
岡田佳太さんドラマーの演奏動画拝見しました。この方とても素晴らしいです、大変勉強になりました。74歳ドラマー
@mkei4390
@mkei4390 6 месяцев назад
大坂さんといい、西さんといい、素晴らしいです、もちろん大御所二人はもちろんです、大変勉強になりました。オン歳74歳のドラマーより😂
@mkei4390
@mkei4390 6 месяцев назад
素晴らしい、流石トッププレヤーの演奏曲の解釈勉強になりました❤
@user-kv8hy7tn1h
@user-kv8hy7tn1h 6 месяцев назад
サックスの人の音嫌いwww
@1975contrail
@1975contrail 7 месяцев назад
ひっでえ演奏だなこりゃ
@nekoto018
@nekoto018 7 месяцев назад
歌声素敵です
@luvgabriel
@luvgabriel 7 месяцев назад
This quartet's version of Poinciana, beg. @ 32:33 mark, is simply sublime, especially the pianist's introduction. Wish there are more videos by this band on RU-vid. 💕
@user-pr4ij5xk1j
@user-pr4ij5xk1j 7 месяцев назад
お客さん!もっとちゃんと聞こうよ!😂 昔。300人位の結婚式に出て、落語家がめちゃくちゃうるさい中、少しずつ話してたら、最後。誰も話さずシーン!としてました!まさに芸? エンタメ?
@kamenowo
@kamenowo 8 месяцев назад
ドラムがうるさいです。 音数が多すぎます。 大友さんのライヴは、ドラムが岡田佳大さんの時が一番好きです。 私の仲間がどんどんいなくなる中で、大友さんがお元気なのがなによりです。
@TAO.h
@TAO.h 8 месяцев назад
うるさいとのことですが、ライヴを観に行かれたのでしょうか?それとも録音を聞いてそう感じたのでしょうか。これほどの名プレイヤーに対して、うるさいの一言で片付けるのはあまりに失礼だと思います。
@user-ii5uy4mv3h
@user-ii5uy4mv3h 7 месяцев назад
​​@@TAO.hさん、同感です。 撮影カメラとマイク位置からして、間近にドラムがあるから音の大きさは、致し方ないですね。 それにしても大坂さんのドラミングは力みのないメロディアスでリズミカルな乗りで楽しくさせてくれたと感じてます。 古野さんのアルコ奏法も流石に健在で美しくて大好きです。今田勝トリオの頃からのファンとして、いつまでも演奏を続けてほしいですね。
@mkei4390
@mkei4390 6 месяцев назад
素晴らしいご意見です。私も同感です。
@1bluetomato
@1bluetomato 8 месяцев назад
浅利史花(g) She so brillant, so fantastic.. Who is this wonderful musician...?
@yasu3838
@yasu3838 8 месяцев назад
Thank you for Watching Her Name is FUMIKA ASARI YES, Most Brilliant Jazz Guitarist in Japan Now
@user-wf4xf6rb8h
@user-wf4xf6rb8h 8 месяцев назад
まじでボーカルいらん
@9aaaoo185
@9aaaoo185 9 месяцев назад
甘美です。。♪  バーブエリス、ジョーパスみたい。。。♪
@rodolfolarrea8493
@rodolfolarrea8493 9 месяцев назад
Beautiful
@nivrox95
@nivrox95 9 месяцев назад
I like the guitarist, greetings from Israel
@andrewweatherhead4127
@andrewweatherhead4127 7 месяцев назад
@Okomahu0329
@Okomahu0329 10 месяцев назад
なんか知ってる人が写ってるようなぁ
@聖-e3s
@聖-e3s 11 месяцев назад
警備員花火見て金貰えて 羨ましい!
@ambercw5151
@ambercw5151 11 месяцев назад
Thanks for sharing your wonderful fireworks video 📹 😀 😊
@user-qn8vl8ji5x
@user-qn8vl8ji5x 11 месяцев назад
スターダスト〜良いネェせっかくのLIVEなのに 雑談がうるさい😂聴きに来てるんですカネエ😂残念😢
@yuyay5086
@yuyay5086 11 месяцев назад
花火見に行った気分になりました ありがとうございます。
@kaz5969
@kaz5969 11 месяцев назад
新曲だけ口パクじゃない?
@user-kk9ly3iu4v
@user-kk9ly3iu4v 11 месяцев назад
音楽が全然マッチしてない。花火が良いだけに残念。
@fjt3418
@fjt3418 11 месяцев назад
片貝まつりみたいな虫の声と花火の爆破音しかしないのが至高ですよね
@KTY22
@KTY22 10 месяцев назад
こうのす花火大会の鳳凰乱舞は音楽と合わせてやるのが定番です!毎年候補曲を皆さんから募集しています。 言ってはなんですが、片貝や長岡等に比べて歴史や情緒ある花火大会ではなく、花火で鴻巣市を盛り上げよう!というのが20年前の初回からのテーマなので、こういう音楽ありの花火の方がマッチします。また都心から電車で50分ほどの場所というのも理由の1つかと思います。
@user-ds8cq5zl8c
@user-ds8cq5zl8c Месяц назад
​@@fjt3418まぁ10月の花火大会なので夏の花火大会とはまた違うんですよ。
@ch_aelin
@ch_aelin 11 месяцев назад
協賛席で最高でした! 2:00〜 2:08 ここ一番好き
@sok3296
@sok3296 11 месяцев назад
今年の四尺は高さがあまり出なかったな。 コロナ前の最後は途中で破裂して地響き凄かったから逆に迫力あったけど笑
@user-bq5sj8qn9e
@user-bq5sj8qn9e 11 месяцев назад
初めて行きました! 迫力と綺麗さに興奮して、とても良かったです😆
@user-em2pe7bs4d
@user-em2pe7bs4d 11 месяцев назад
見に行きましたよ最高😂
@user-kr9xw3jk4r
@user-kr9xw3jk4r 11 месяцев назад
現地でした\(^o^)/ ものすごい混雑と渋滞でした🥵 ガラガラの時から鴻巣花火見てますが、年々増えてますね人出が😇😇
@user-kr9xw3jk4r
@user-kr9xw3jk4r 11 месяцев назад
現地でした\(^o^)/ ものすごい混雑と渋滞でした🥵 ガラガラの時から鴻巣花火見てますが、年々増えてますね人出が😇😇