My name is Scott Jeschke, and I'm a writer-director whose directing work has been featured on io9 Gizmodo, Dread Central, Film Shortage, First Showing.net, and Bloody Disgusting. I was also the co-director of photography on a feature Sci-Fi film called HARMONY that is available to rent or buy on Amazon, Itunes, Vudu, etc. I'm represented by American Talent Management.
www.scottjeschke.com Business email: scott@scottjeschkefilm.com IG: @scottjeschkefilm Twitter: @ScottJeschke Vero: @scottjeschkfilm Tik Tok: @scottjeschkefilm
Been seeing this lens everywhere. Honestly the only thing keeping me from getting (besides the price lol) is the fact that it's manual. I've heard they've got an automatic anamorphic on the way from Blazar, that's gonna be an instant buy from me.
@@DanBak1000 oh man, auto would be amazing. Yeah, honestly the price is amazing compared to a 3 years ago when good anamorphics were like 30k.. but it's all relative, right? I want them all, but gotta hold off too haha. Only so many big spends a year
@@Irockkp thanks so much! My education in cinematography was watching on bigger sets, DPing and gaffing lots of short films, music videos, and a feature, studying movies, reading tons of ASC articles, getting a certification from the Shane Hurlbut illumination tour, and practicing til I'm blue in the face ha
@@ScottJeschke definitely gonna try these, been practicing like crazy. Your shots seem extremely cleaner than mine but we have the same set up. You think color grading and exposure are my two main problems if I’m experiencing that?
Hey, very informative video thanks! I was wondering: why do we need to ajust the dehancer settings for every shot to have a realistic film look? Film is always the same and the halation amont depends of the contrast and highlights ammont of the shot you want to print, the film property doesn't change for each shots Also, it's "dehancer", what is the advantage to film with insane quality cameras and then dehance comparing to starting with a average cam and dehancing less? Thanks in advance!
Hey, thanks! Why would we adjust for every shot? It's been a long time since I watched this but I don't recall saying that. I was using multiple shots just to show different examples. I typically just make a look and apply an adjustment layer. Tweak the underlying shots or break up the adjustment layer if necessary. Are dehancing, it's a personal preference. People still shoot super 8 even though the image fidelity is super degraded, and yet the aesthetics are still pleasing to many. Same reason Greig Fraser uses incredibly flawed lenses vs clean lenses. It's a look he's going for. hopefully I answered your question, unless I'm not quite understanding
@@ScottJeschke Thank you for this precise answer! To sum up, after color correcting, the colorgrade step with dehancer should just be the same adjustment for every clips? And some people just like this look of the film colors, halation and blur, but still aim for maximum quality/sharpness/crisp right?
@@Tyke.createsure thing. yeah. It's a look Creator. So ideally one look would be applied to a whole project, or scene, and underlying color correction would be done separately shot to shot. It's not a color corrector. And yeah, you can really get whatever look you want. If you like a cleaner look, you can still use attributes, or if you like a more dirty low-res film look you can do that too. What you get out is really what you put in.
I just stumbled upon your video Scott, and let me say you’re quality is amazing! I’m learning more about filmmaking and lighting scenes and you explained everything clearly for me to understand.. earned a sub🔥👏🏾btw.. what’s the motorized slider you are using for the "hero" shot🤔
@@ScottJeschke Really such a good video. I took a decade off from video work and now I'm back but with a severely limited budget. I'm nearly 50 so I grew up watching movies made on 16mm and that's just my definition of what looks good. I can't shake it. Until Fuji makes a prosumer camcorder packed with all the film sims, I reckon Dehancer looks like the way to go for me. Many thanks again.
@@jasonsedor5676 so kind of you to say. Much appreciate friend. And I know what you mean, regarding the film look. Something magical about it. Best of luck to you as you delve back into the world of filmmaking, and thanks for your support
10:14 i don't know who told you this flare is desirable or beautiful, you are trying to mimic Micheal Bay or JJ Abrams 10000 million $ movie style with a sony fx3 at your living room
This was sick. Loved the use of the keyframed zooms and the clean tripod shots. Composition and lighting were amazing. Are you gonna do a breakdown or btw of how you filmed this?
Thank you so much! Here's the BTS: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-ol-xY-YZfUk.html If there are other aspects you'd be interested to see broken down let me know.
16:41 Scott you are KILLING ME XDDDDD, also this video is just incredible. I have watched tons of your other videos because of this one and I respect you a lot as a filmmaker man.
@@ScottJeschke cool do you know the settings input for bmpcc4k by any chance so by impact are you talking about the color space transform i get confused with davinci resolve something
@@HadjFilmz basically in the first module where I selected the camera then the input profile which was the FX3 then slog 3, you would instead select bmpcc4k, then whatever log profile you are shooting, or raw profile I forget what it is on BM.. BMD log or something?
