But BRUCE LEE Hilario fight on 1970 before he go back to Hong Kong and the LA national airport flights to the seven karate professional about 8 to 10 minutes finally he won’t
“A Thousand Li of Rivers and Mountains” Scroll, Northern Song Dynasty, by Wang Ximeng, Silk, Colored, 51.5 cm in height, 1191.5 cm in width. The “A Thousand Li of Rivers and Mountains” scroll is the only surviving work by Northern Song Dynasty painter Wang Ximeng. This painting depicts the magnificent landscape of the motherland. The picture features undulating peaks, vast rivers, and a majestic atmosphere. High cliffs and waterfalls, winding paths, houses, green willows, red flowers, tall pines, and bamboo create a beautiful scene. The landscape includes fishing villages, pavilions, cottages, water mills, and long bridges, all set according to the terrain and environment, harmonizing with the mountains and lakes. This scroll uses concise techniques, brilliant colors, and meticulous brushwork to showcase the grandeur of the country’s mountains and rivers, and is considered a masterpiece of Song Dynasty blue-green landscape painting. In composition, the artist fully utilizes the multi-point perspective characteristic of traditional long scrolls, dividing the scenery into six sections over the ten-meter-long scroll. Each section primarily features mountains, connected by long bridges or flowing water, making each part both independent and interconnected, achieving an artistic effect of changing scenery with each step. The use of various compositional methods such as high, deep, and flat perspectives adds rhythm and dynamism to the picture, making it captivating. The scroll inherits the traditional “blue-green method” in coloring and brushwork, using mineral pigments like azurite and malachite, with exaggerated colors for a decorative effect, known as “blue-green landscape.” This method developed early in Chinese landscape painting, with many artists like Zhan Ziqian, Li Sixun, and Li Zhaodao excelling in it during the Sui and Tang dynasties. Although some Song Dynasty painters also used this method, no existing work surpasses the “A Thousand Li of Rivers and Mountains” scroll. Wang Ximeng’s work shows a more delicate style, reflecting the meticulous and rigorous style of Northern Song court painting. The brushwork is precise, with no flawed strokes. The tiny figures are dynamic, and the water ripples are drawn stroke by stroke, adding movement to the scene. The overall view is grand and magnificent, impressive both from a distance and up close. In terms of color, the artist seeks variation within the blue-green palette, using thick or light colors and adding ochre for contrast, making the layers distinct and the colors gem-like and dazzling. The famous Yuan Dynasty calligrapher Pu Guang highly praised this scroll, writing in the colophon: “Among the small scenes of ancient and modern paintings, it stands alone for a thousand years, like the lone moon among the stars.” This comment is considered fair. From the depicted scenery, it mainly features the elegant and delicate landscapes of the south, with some northern landscape characteristics added to certain mountains, making it a meticulous work combining southern and northern landscapes. The architectural forms, life scenes, and tools used in production in the Jiangnan water towns suggest that the artist had a deep understanding of the Jiangnan region, and his artistic creation likely came from life. Given that Wang Ximeng created such a grand work at the age of 18, he must have had rich life experiences. Therefore, it is speculated that Wang Ximeng was from Jiangnan, though his exact birthplace is unknown.
The phrase they didn’t translate at the end was ‘Now that you have seen the future, why don’t you bow to it?’ Interestingly, the word ‘bow’ in Chinese sounds the same as ‘buy,’ leading people to joke, ‘Why don’t you buy it?
you asking why that person whom he has no head? where is his head.? do you have the answer for that ? let me tall you what is this all about. this person whom is not a just person he does has he's head. he is one of the Buda monk in the one of the temple. in this temple he willing make the sad people happy that is he as monk what he does. in the year 1800 after the British and franc invited China. they destroy the temple and cut off this Buda's head bring it back to England today it head still at British museum. but today the British still dented what they did back to 1848 what they did in China. now you as west people why? then ........ did you fell sorry what happened then?
:et me tell you guys where the HEAD is ...... British robbed it from China during the world war and still sitting in the Britain museum now, shame on them.
At 1 minute and 20 seconds into the video, the woman asked: Why does he have no head? The truth is that it was a statue of Lingji Bodhisattva whose head was stolen by the British and is now in the British Museum. This is used to satirize Britain as a robber country. 
They know how to dress like china Korea Japan they know fashion in China they even had their local brand they don't depends on American brand all the time they know to stylist themselves