Leo's the kid who never sat still...and is responsible for the entire generation of dancing saxophonists to come who said, "I wanna be him when I grow up." Protect this man at all costs.😁
Awsome job, throughly enjoyed everything, great to see brass playing such an awsome arraignment, miss my baritone and the stage band I was in back in the 70's, it was so much fun, Dammit I'm getting another Baritone, thanks for the influence 😉👍🎷🎺🥁
Love the bass / counter-bass melody between Nora and Leo P in this song (I'm finally getting better at separating the Tuba from the other various individual pieces in my head). I still miss the interplay between Buyo and Leo P, but Nora is the first one, that I heard, to really get it right since Leo P and Buyo left Lucky Chops. I'm not sure why Buyo left, but as painful as it is and as much as I miss him being part of Lucky Chops, I think Leo P made the right decision. With Rogerst now in the band I can see that Daro is finally able to fill in the sound that was left vacant when Leo P left. It is great to hear the full balance of sound of Lucky Chops. Especially, as Rogerst is getting more comfortable being on the stage. It amazes me on how well he plays as uncomfortable as he looks sometimes. I really look forward to the musician he becomes as he relaxes into Daro's former role, I have a good feeling that even though it will be different from the Daro and Leo P duo; the Rogerst and Daro duo will be great in its own way. It seems like Lucky Chops is Lucky Chops again (a little different, but beautifully balanced again).
What the hell is that instrument that girl is playing and what is that purple wrap or is that paint or something for installation how much does that thing weigh she gets down and buggies with it
