Amazing production, lol, only sometimes the tempos are really too fast and the singers cannot handle that in time, which adds to the comedy but ruins the beauty of harmony and musical structure. I really enjoyed the production. Thank you!
Amazing how you repeat the touristic superficialities for this masterpiece. The French were simply trying to copy what they understood of the Roman architectural heritage, earlier in Tuileries and then at Versailles, all the way down to the Roman triumphal arches in the courtyard of their palaces, in the middle of the city--everywhere. Napolean (himself born Roman/Italian) carried all the Roman goodies he could get his hands on, to Paris. From columns holding ceilings while leaning against the side walls to pilasters, to grand staircase, to giant yards, lakes, domes, roofings, high corridors and windows... all copied from the Romans (except indoor plumbing that French never figured how to make). All of this are found at Casreta, and they are Roman, whether directly or circuitously.
Philippe II d'Orléans était un Régent de France après la mort de Louis XIV pendant minorité de petit Louis XV dans les années 1715-1723. Il étais le fils de Philippe I d'Orléans Monsieur le frère de Louis XIV.
Le sommet de la civilisation française, le Grand Siècle ! Philippe d’Orléans fut un excellent Régent, pacifique et tolérant, qui apporta la paix et la prospérité au royaume. Débauché mais débonnaire et cultivé.
Attending Elmhurst College with Dave I grew to love opera through his eyes. We performed together in the college’s 1st opera, “The Marriage of Figaro.” I’m sure he had something to do with that. All my best to you, Dave. Arlene Buric Klein.
A 59.27 non ce n'est pas un simple mixage de la voix du haute-contre Derek Lee Ragin et une machine, non, c'est avec une autre vraie voix, une voix de femme (-excusez du peu- ) la soprano colorature Ewa Malas-Godlewska! Et ensuite ces deux voix mixées en effet à la machine! ! Elles avaient une tessiture semblable afin de pouvoir reproduire les octaves couverts par les castrats, Farinelli en l’occurrence dans le film.
As far as building codes go, these structures have been around a long time, and be protected, but don’t do ugly white outs (painting everywhere white, love the warm golden and various colors hints and deep tones, Just proud of it’s beauty that many people contributed to.
Thank you for your beautiful videos, and taking time going through the tour frame by frame as there’s a lot to take in,as loving art and the challenging designs that are what elements I crave in art, but in good taste. It suits my pallet
