Hello and welcome to the channel Rock Band Stems, where I make isolations of instruments of your favorite songs! I do custom isolations from your favorite songs, putting great amounts of changes to isolate certain parts. By using various AI, I'm able to turn a known song into a whole new thing for you to hear, pointing out details that are harder to hear, making great discoveries along the way. The main point of the channel is for educational purposes, easier transcriptions of specific instruments, or simply to hear your favorite song in a whole new way! I myself am a massive Beatles fan, so you'll find a lot of custom isolations of the band's catalogue. The main point of the channel is for educational purposes, easier transcriptions of specific instruments, or simply to hear your favorite song in a whole new way!
Polar Studio had the best sounding drum room, sadly now gone. Not only on ABBA tracks but also Genesis Duke, Led Zeppelin In through the out door, Chess original album and Agnetha and Frida’s solo albums.
George Harrison enters in the seventh and eighth measure with a syncopated distorted Stratocaster with gain, treble and bass all turned up high, providing a distinctive countermelody, double-tracked phrase descending from McCartney's high A♭ vocal note through what author Jonathan Gould terms a "series of biting inversions on the tonic chord".[14] Harrison later plays an eight-bar solo that culminates in a two-octave descent.[15] McCartney, Lennon and Harrison sing backing vocals over the bridge.[11][16]
Came for the guitar (and vocal obviously), and got blown away by the drums and... well the whole damn thing! The strings and brass are superbly used sparingly while at the same time being so effective in the final result - Classic example of how to make a bona fide classic record: Start with a superbly written song, add a superb arrangement played by superb musicians and top off with probably the best voice in popular music ever - easy peasy! P.S. Love Rock Band Stems work!
In Mark Lewisohn's 'Recording Sessions' book (available since the 80's) I remember it documents how they (primarily Paul) kept going back and doing more track bouncing (I think the book referred to it as superimposition mixes) and adding more overdubs...including lots of percussion...Tweaking the mixes too. It's my favorite of all their songs.
Paul (and possibly the other 3 Beatles) did a home-made paint job. " - We got together at George's place, had some beers, smoked a couple of joints, then came out the aerosols and that's it". Done at the same time as George's Rocky, John's J-160E and Ringo's "Love" bass drum head probably
