Oooooochikawasitagi...uUchibarekara...oktanigerechito...ekochuatikagemicu..Kurosawaeee..ogurawacidumikegi...(Practicly, i just wrote rambling random jiberish),but need to Read it with true ANGER,-Better if U Yell,don't ask me why - just because. 🤔😅😂 The Japanese language is such that you have to pronounce and accent EVERYTHING with anger, that's their (Japanese) language. When a Japanese man spoke to me, in Japanese, I didn't know if he was angry with me, or if he was just greeting me, everything sounds angry😆 I got the impression that Japanese people are always, but ALWAYS very ANGRY for some reason, I love you and I hate you are pronounced in Japanese with the IDENTICAL accent - that's just how their (Japanese) language is🤣🤣🤣 PLEASE,Do NOT be affended,i am NOT rasist in ANY way,and i LUV ALL people on Our blue planet,😊♥,it's just the language,that i am commenting on-with NO any mean intentions♥
The real thing this plugin is modeled after ("Ketron Solton Programmer Plus / 24") is $2000+ (used) 😢 and oftentimes faulty due to being a factually irrepairable exotic conglomerate of 40 y.o. IC circuits from different now extinct manufacturers, one gets no replacement from.
This one sounds much closer than their Juno 106 did. Model 84 sounded nice, but it was a lot flatter, and more midrange than the 106. Their Model 80 is really good too. But, I think I prefer G-Force's approach, like with the new OB-1. Sounds awesome but can do a lot an awful more than the original. The 82 can do a little more, with doubling and drive, but it's a very simple synth to begin with. U-he Diva is even better, because it sounds really great, but can do so much.
I'd heard this one on more than one movie soundtrack. I created many full shows, complete Broadway soundtracks on this alone as an music educator/director it was my main axe for many years. Would create an arrangement (watch the video to see how easy it really is), save to disk until I had an entire repertoire which I now could call up, play something else live, and conduct.-what many bands are doing now. Pretty nifty-and it is built like a tank. The drums are it's weak point, but with one of the drum wav cards and some editing, certainly usable. He didn't show on this video, but this has some very good synth sounds-after owning several of the most recent VA synths, I come back to this and am surprised at how good it sounds. The problem with this one-programming FM sounds is in a sense infinite in terms of what sounds one can create, but you really have to be dedicated to sussing out FM programming-I still haven't, am still learning. I must have auditioned thousands of FM sounds over the years, most of which were crap. Only the really good FM programmers knew what to do with this one, and they did. why FM is still showing up on many of the newest noisemakers, and many of those newer FM sounds still sound like crap IMO, with some exceptions. Credit to Manny Fernandez, he was one of the original programmers for the SY77, did a great job.
Always enjoy his demos, very knowledgeable. Acoustic piano very usable, remember this was 1989. The FM pianos are still unbeatable. I've kept mine for-well since 1989 when they first fell off the truck. Still can create some very unique sounds. Very clean sounding, even compasared to 2024 audio engines, almost too clean.
Some of those wave-sequences do sound very D-50-like... This is the sort of thing the D-70 should've been. Still it's a nice board, not quite as thick-sounding as the D-50, but a tad more depth to the programming...
