Sennheiser mke 2 lav, sanken cos11d, countryman b6, dpa 6060 for lavs, Sennheiser G4 or Lecteosonics for wireless transmitters with a mixpre II series will change your mind. 😊
@@DeeTravaughn Depends on how you look at the 10-20%. If you just think of it as capturing usable audio, then yea it’s not worth it. If you look at it as time savings then that’s big. Remember, 32bit float has nothing to do with audio quality, picking up excessive bg noise and etc. It seems that you do run and guns so you won’t need to send a mix to the producer, director or client. But here’s where you will really see the difference, in post production. If you do it yourself and want to get the great mids and lows that has the client sounding natural, this system doesn’t deliver that well unless you spend a lot of time cleaning up and EQing. Even then, it still won’t come close to other systems. The other equipment I suggested is better at capturing more natural sounding audio which will minimize the time in post. The most valuable thing is time. Butttt! If your client is happy with the Rode quality, disregard everything I say. But there are some clients that will require way more because they have their own editors and they themselves don’t want to spend too much time on one project fixing it in post.
Hi cool vid!! I Have a question about your setup, what are the pros of a mattebox on such a small config like this when fast adding/removing filter system (magnetic/Nisi system) exists? Thanks!
For beginners, you are not explaining it clearly. You said at 01:45, "I am going to test it", test it with what? The trigger gadget that you removed from the camera was not explained on what it does & how to use it. You also did not explain what settings to use on the camera. For instance, it should be on manual mode for studio flash photography. At 03:06, you should explain that the flash trigger can adjust the power of your monolight, but the trigger should be compatible with the monolight. If not, adjust the power of the monolight until your flash meter register the f4 aperture required for the right exposure with the ISO of 100 (explain too why you are using that ISO instead of 400 or other number), and shutter speed of 200 (base shutter speed of camera to sync with a flash).
This is not a camera settings or how to use a trigger or monolight video. The light meter simply measures light. No matter what your camera settings are, or how you trigger or adjust the power of your light.
Just managed to get the Everyday filter for my x100vi for holiday to Greece in a few weeks. Seeing as you can’t use a hood with this due to the circular polariser, does it suffer from flares?
HEY BRO !! so does the stinger handle go on top of the tilta full cage without having to use a nato rail cause the tilta full cage already has it built on it ????
@@DeeTravaughn Dee, thank for following up. I would love to see some videos of how you record hand held, or using a gimbal. I do a lot of street videography. I would love to use a low profile setup like your cage and handle. that would be a lot easier to do than walking through the streets of Tokyo with a gimbal, but without my gimbal I can't get stable usable video. your insight on this issue would be greatly appreciated! Thanks!
I do't get it how this video don't get more views when this video is so productive, high quality, the guy is so humble and on top of that I bet this guy spends hour editing this video I think is not fair RU-vid, the Algorithm of RU-vid some times is trash, keep it up my brother love your content and thank you for inspired me and others!
