A constant exploration of what's beyond cinematic look made us form Colorist Foundry. RU-vid is our way to simplify our learnings for filmmakers and storytellers.
Follow us on Instagram: instagram.com/coloristfoundry/ Get in touch: jai@filmblade.com
I really recommend adding Hue changes for individual colors in the filmverse DCTL in the future! Since resolves built in Hue vs Hue just renders it bad and brakes it on a lot of footage! I know you can make a Hue vs Hue color render much much better than what resolve has done using DCTL’s and if this is going to be integrated into FilmVerse it’s gonna be the complete package of everything! all the colorist would dream off in a single place. And adding Density sliders for more colors outside of RGB would be a blessing too! Thanks for all your work we appreciate it!
Basically adding Hue,Sat,Density for each individual color would be so insane! Since it’s going to completely eliminate using built in resolves curves that don’t do a good job of rendering colors and a lot of times brakes the image! A much much better looking optimized results can be achieved using DCTL’s and this being built into FilmVerse would be an absolute game changer for everyone completing the entire tool kit for professional look film development and emulation.
This is an incredible feedback! I have been working on some non-destructive math for specifically for these sort of operations - although it’s for a separate plug-in all together. But I can surely throw in a lifetime free copy along with FilmVerse with these specific controls. Will have to rely on upcoming colorist foundry discord discussions for how future FilmVerse will look in terms of features.
I know it requires more work but I think it would be better if you did the narration yourself like in the original announcement video, or used the previous narrator.
Surely then! It’s not much work, but I’ve been biting off more than I can chew. YT situation will be much better in few months when I’ll have someone to help me with it :)
You sure this is correct about splitting the parallel inputs? When you added the 4th node, the amount of green should have reduced if it is no longer 33% but now 25%. And in theory, if you added 96 more parallel nodes, then you get the original image because the green is only 1% of the final image. From your example, I don't think this is the case. Just technicality in language but worth noting!
Very techinal for newbies like myself in filmmaking but so damn good and simple to understand subscribed would you ever be open to doing iPhone log footage contrast tutorial like this?
Hi! Tell me, can I use bmcc 2.5k bmpaw material, using FilmVerse, to achieve such effects - an oily overflow of shades of green (video1) and an extensive halo of glow affecting the rest of the colors (video2)? ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-K9XsZIE6qqk.html ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-_kEBgWtl694.html
I'm a working colorist. No way have I EVER had this much time. There are a lot of repetitive, redundant and flat out wrong steps here (I suspect, designed to keep the viewer watching past the 8 minute monetization limit, and nothing more). It's a shame, because there are aspiring colorists watching these believing this is how it's done. 🙄
i have a question, when I play the video in Davinci Resolve the colors always changing and when I pause it, it comes back to the original with more saturation. Why is that?
We are facing similar issue on Resolve 19. It seems most (not all) of the OFX effects - if sandwiched between CST nodes are facing similar issues. DCTL plug-in is no different. On a different machine with DR 18, the issue never occurs. Similar reviews by peers and other users. Probably a DR beta bug, hopefully gets resolved with the final update. - V1.3 has transforms built in, this wont be an issue even if final Resolve update doesn’t fix this bug.
I really enjoy your color grading tutorials. You really make it easier to understand than a lot of other youtube channels. Question, what camera and model did you use for this footage?
Go for color slice or look Dev tools, link in bio. As far as emulating the negative is concerned, I can share a negative only LUT over Instagram for you to play around with
