Ugh, can someone recommend a subgenre compilation with some actual representation. So many of these are just a bunch of Hard/style/core crap. Where's the Latintronica (or any Ethno-tronica), Afro house, Middle Eastern, Indian?
i was enjoying this video and i couldnt wait for the glitch hop part, but when i saw "omfg - hello" as example my heart broke literally. like, where are tipper, opiuo, the glitch mob, koan sound, griz? or if we need something more famous; thefatrat, phaera, deaf kev, colbreakz, punyaso...? omfg is not glitch hop, idk why they say it is but it has nothing in common. change my mind
It’s not much of a genre to listen to as much as it’s more of an experimentational genre, the genre would fall under the category “noise music” and is anything higher than 3600bpm
Midtempo bass and New Beat are just same, just like early and mainstream edm music genres like hardcore,electro house,techno,trance,synthpop,synthwave,dubstep and drum and bass
Belgian new beat comes from ebm,hiphop,and techno while modern midtempo bass come from electro and brostep genres. midtempo bass is more aggressive and new beat is groovy and used in clubs.but both genres bpm ranges from 90-110 known as walking tempo
@@priyanthisandarath1365 yup, midtempo bass is aggressive because of combined elements of new beat,moombahcore, and other electro genres, Midtempo Bass has brostep characteristic in it,dubstep snare,industrial characteristic derives from new beat as well and has bouncy moombah style. While new beat is just chill (unlike midtempo bass),repetitive acid harsh bassline,heavy synthpop/industrial snare,dark atmospheric because of EBM, and disco type in 1980s (furthermore its not developed in that era but there's alot of reason because of subgenres/successors such as Hardstyle,Hard Techno,Hard Trance/Tech Trance,Hardcore,Gabber and Neurofunk/Techstep/Jump-Up), in 2010's there's alot of midtempo industrial acid type bassline without characteristic of brostep just like Hyper - Spoiler and Gesaffelstein tracks, so its basically new beat
@priyanthisandarath1365 yep but midtempo bass seems different from new beat because of bassline, Hyper - Spoiler is more on acid and industrial and it doesn't have brostep in it, midtempo or midtempo bass didn't exist on 2010-2017, that midtempo only was coined in several song such as deep house,moombahcore,glitch hop and other pop songs, and the genre term "Dark Clubbing" I've seen in yt and spotify is industrial and darkwave with acid bassline that is accurate to New Beat itself, you can see "Dark Clubbing" through mixed or mixtape songs in youtube alongside with Midtempo Bass,Industrial,EBM,Darkwave,Aggrotech and Dark Electro
The darkstep one isnt really correct, tho it does say step in it, its not really dubstep(dark tearout dubstep to be clear) which is what people often mistake it for. it was more meant to be used for darker sounding early techstep dnbs rather than your usual techstep. quite alot of other mistakes aswell but i suppose not everyone can cover a the whole edm tree perfectly, so good vid
The darkstep one isnt really correct, tho it does say step in it, its not really dubstep(dark tearout dubstep to be clear) which is what people often mistake it for. it was more meant to be used for darker sounding early techstep dnbs rather than your usual techstep. quite alot of other mistakes aswell but i suppose not everyone can cover a the whole edm tree perfectly, so good vid
*Is Hip Hop Regarded as a Subgenre of EDM? No! It Stands Proud as a Unique and Independent Genre.* Let's set the record straight. Many misunderstandings persist regarding the relationship between hip hop and EDM. Some mistakenly believe that hip hop falls under the umbrella of electronic dance music (EDM). However, nothing could be further from the truth. Hip hop, with its rich history and profound cultural impact, should never be reduced to a mere subgenre. It is an unmistakably distinct and complete genre in its own right. From its roots in the streets of the Bronx to its global dominance in mainstream music, hip hop has forged an unparalleled path. While EDM encompasses a diverse range of electronic genres and subgenres, hip hop thrives independently outside of this realm. It originated as a creative outlet for urban communities to express their emotions, struggles, and aspirations. With its intricate blend of beats, poetic lyrics, and storytelling, hip hop has fostered a unique cultural movement unmatched by any other genre. To label hip hop as a subgenre undermines its immense influence and artistic autonomy. It stands tall on its own, shaping not only the music industry but also fashion, language, dance, and even politics. Countless artists have risen to lyrical prowess within this genre, becoming powerful voices of their generation. Moreover, the association of hip hop with EDM undermines the hard work and dedication of countless artists who have contributed to its development. From hip hop icons like Tupac Shakur and Nas to modern day legends like Kendrick Lamar and Nicki Minaj, these artists exemplify the depth and width of the hip hop genre. To relegate their exceptional contributions to a mere subgenre would be an injustice of epic proportions. So, let's acknowledge and appreciate hip hop for what it truly is: a thriving, resilient, and indefinable genre that deserves our utmost respect. It is not a subgenre of EDM, but rather a force of musical innovation, cultural expression, and social change. Embrace the essence and power of hip hop, and let it shine as the remarkable genre it is.
Funnily thats how music basically evolves overtime, it starts with style, then word play, then someone popularises it, after that is done, becomes a sub/microgenre
Good list! But happy hardcore isn’t right. #144 is a much better representation of happy hardcore, stonebank is known to make some of the more popular happy hardcore music (and camellia)
there are actualy two types of happy hardcore, the edm type (like camellia) and older stuff from the uk where i live that is only realy popular hear and it basically the same as rave breaks/breakbeat hardcore and what people in america call uk hardcore is not from the uk an i don't know why it's called uk hardcore
nice video man! although my ears would have appreciated a warning at 17:08 hahaha oh and also, my favorite is either neurofunk or speed garage, cant decide between the 2 lol
@@elenasgaard7770 extratone has potential as a chill genre just people want to make it related to insanity despite the fact a brrrr tone could go well with drone and trap and crap like that lol
