Aputure Cinematography Gear and Content By Filmmakers, For Filmmakers
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Aputure was founded in 2005 by a team of inspired photographers and filmmakers who wanted to create high-quality content, but struggled with steep cost of equipment needed to do so. Determined to create professional-grade equipment at an affordable price, they started Aputure: the first company to provide affordable camera accessories with the quality and functions needed to fully realize any creative vision.
As a part of the creative community, Aputure continues to develop for the ever-expanding needs of budding artists. Each member of our team has felt the burning desire to bring a creative vision to life at all costs. We're here to keep that fire alive.
I have a thick piece of glass that has a crack down the middle. The crack acts like a see-through mirror. I can see my subject but I can also see what is reflected off of the crack in the class. It’s fun playing around with finding various subjects and themes to blend. Also, the crack can be enlarged by turning the piece of glass and contrast between subjects can be adjusted if I am able to change their locations (putting one or the other in a stronger or dimmer light). Overall- lots of fun with a cheap piece of glass.
Nice Video for very still subject although please provide a solution to a moving subject such as a model in fashion photography shoot as models need move within the seamless paper width ... with minimum shades possible if necessary... Us photographers need to adapt to various RGB lights, Continuous Lights as well as Tubes in very modern fashion photography . Appreciate your comprehensive videos as well
8:42 I think the biggest advantage to real atmosphere is the fall-off of contrast with depth of background. So your foreground subject will stand out more from your hazy background. Also the beams of light illuminated in the thick air. BTW I thought you were going to say the FOG filter is most similar to the real haze, because of the halation.
So this test is the difference between the surface, the phosphor of the detergent affects the LED light and the sun? Other items or skin tones that don't understand what will be yellow and greenish
I don't understand why we would require so much color accuracy in the early stage, and can a film colorist explain how important the accuracy of this light is to the impact of our post-grading, stylization?
