I would argue that no matter how big your voice is, you cannot sing the heavy stuff without a serious commitment to legato, as Mr. Meachem demonstrates wonderfully here. Bravo!
Hi Lucas and the rest of your audience! Thank you for recording your warmup routine! My voice teacher recommended to me your channel and it changes my singing quite a lot! If you will ever update or change it - could you record it so we can see your torso working as well?
I once discussed this exact passage with Dalton Baldwin: His advice: Right hand stays on white keys, left hand stays on black keys and ignore the C flat in the last eighth note of the left hand.
Considering that he was severely out of shape e t c, it's even more incredible that he was able to sing like he did. It's like with Freddie. It leaves you with a "How the fu** did he do that??". I'm an expat, but I still listen to this every Christmas. Of course it makes a little bit more sense to me since I know that he's singing.
You are sooooo funny.....❤ What Pavarotti had was a PERFECT DICTION, the real CANTO SULLE LABBRA, and a PERFECT TECNIQUE. And a very beautiful color of the voice
Next lesson; make your best chicken noise impression bugh bugh bugh To warm up all those muscles. The last excercise sounds like he's opera singing the word Meow ( Mi Eh Ah Oh oo )
Tutto giusto ma con pochi pesi non serve a nulla....meglio camminare allora o fare della ginnastica a corpo libero. I pesii leggeri sono solo una perdita di tempo o solo per chiacchierare con gli amici di palestra
This is fabulous. Really and truly. I actually thought I'd given up on baritones and bass-baritones, looking for a beautiful tone that's handled with musicality. Usually you hear just a big wobble of big, pushed sound. This is the complete opposite: musicality, gorgeous open tone, and completely in-tune.
모나코 프랑코는 각자의 스킬의 차이는(성대의 접지력 차이) 있겠지만 목을열고 마스케라에서 헤드로 가기때문에 소리가 크고 울림이 최고다! 노래는 목을열고 발음을 앞에서 마스케라 헤드보이스! 고음으로 갈수록 목으로 가면 절대 안된다! 요즘 대부분 성악가들은들은 목으로 쥐어짜서.노래한다! 목으로 가면 절대 인간에게 감동을 줄수없다! 목과 마스케라 헤드는 하늘과 지하500 m 차이다 아반띠 마스케라 헤드가 이어지면 음들이 사방으로 울려 보석같이 쏟아진다! 젊은 성악 가들은 이걸 꾸준히 공부해야 성악의 카타르시를 느낄수 있다! 가창자나 청중이나!
I just found this channel and this video is wonderful. You got a new subscriber to support your new career as a tenor-recovering-baritone! Nicely done!
That's just showing off. Most baritone roles only require an A flat 4 or if you prefer a G sharp 4. If you have the extended range good for you, it doesn't take away from those that don't have it.
Perfecto mientras voy trabajando en la furgoneta, también soy baritono, te invito a que escuches al baritono español Manuel Ausensi, seguro que te gustará.Saludos desde España
It's so hard to NOT oversing this aria in some of the middle range phrases, especially after the orchestra comes in strong at the halfway point. My G is always sore and tired by the time I get to it. Then again it would be strange if I could comfortably sing this at 22 yrs old
