Нереально космическое исполнительское мастерство Максима Венгерова, 🎉🎉🎉 красивейшая интерпретация произведения, партия фортепиано просто великолепна! Спасибо за огромное эстетическое удовольствие!!!🎉🎉🎉
This one of the few recordings where I feel like the balance between the violinist and piano is just right when the piano gets the melody in the F major section and the violin is the accompaniment.
Philip Hirshon at Queen Elizabeth competition: unmatched. Vengerov is great 👍 ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-iMxePtFuX6I.htmlsi=2kwvZQSv28QDnwh9 And very young live performance of Michael Rabin 1956, with original orchestration by Ysaie. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-qteRfmgD7_U.htmlsi=dyLocK1usXho2lLA
I don't think this is Kreisler's arrangement. I think it's based on it, but using the Piano solo part from the original 18th variation. Kreisler's arrangement is not in the original key, but this is, and if you look at the pianist it looks like he has a part with two piano staves, like a piano concerto, and not a violin and piano part. So I think him and Vengerov decided to do that because it would sound better, but Vengerov didn't want to write it out and publish it as his own transcription. If anyone knows, please tell us (Mr. Vengerov, Mr. Brown, managers or recording execs, I'm looking at you). I'm sure many people would love to play this beautiful Vengerov/Kreisler transcription ;)
Doğru bir betimleme mi bilmiyorum ancak bu eser hüzünlü bir gülüşe benziyor. Çok naif bir şarkı ama şarkının derinliklerinde bir hüzün var ve onu naif bir gülümsemeyle saklamış gibi.
