Synchroon aan de energie en intensiteit van de grote havenstad, brengt Sinfonia Rotterdam de muziek van klassieke meesters op een dynamische, indringende wijze naar een groot publiek. Tijdens uitvoeringen in concertseries in Rotterdam, Den Haag en Amsterdam, en op de vele nationale en internationale podia weet Sinfonia Rotterdam onder leiding van de gedreven dirigent Conrad van Alphen het publiek te betrekken bij de muzikale beleving.
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Wonderful performance, and a pleasure to watch, partly because Tchaikovsky was such a great orchestrator, and it's fun to watch how he tosses the melodies from one section to another. This is one of those pieces of music that's even more fun when you know the back-story: that trumpet fanfare at the beginning was the bugle call that woke Tchaikovsky up every morning when he was staying in a hotel next to a military barracks. You or I would put in earplugs and go back to sleep, but that's why he was a genius and we're not; he'd get up and start composing. If you like "program music," the program for this piece goes something like this: Reveillez, wake up! It's a beautiful sunny morning in Rome, as the light creeps across the city. Now it's bright morning and we're off on a joyride through the Italian peninsula, to Florence to hear a Florentine folk song, then down to Taranto to dance the Tarantella! Finally, a magnificent sunset with the full orchestra getting into the act.
I must admit this is the best example of how this very difficult and beautiful song should be performed. Such a perfect legato which I presume comes from his amazing breath control. Beautiful quality of the voice and perfect intonation. Beautiful arrangement for the orchestra and beautifully played.
I think it's remarkable how beautiful the final movement sounds even as musicians leave, and sounds the most tender with just the final violin and viola at the very end
I. Largo - Allegro moderato 0:19 II. Allegro molto 23:07 III. Adagio 33:11 IV. Allegro vivace 47:21 Wonderful performance, sincere rendition of Rachmaninoff’s sublime score - bravi tutti!
I first sang this when I was a student at Princeton Theological Seminary under the direction of David Weadon in 1994. I thought I’d died and gone to heaven. It never fails to give me this feeling. It is the most perfect requiem I’ve ever encountered, and I’ve sung a few.
