the circle every album (or 'album') has to square: pieces to be different-sounding enough, but all united by some theme or sound. Ya done it well, kid!
Waiting (and not for Godot!) in a slower-than-British-NHS anteroom to be directed either to the elevator up or the door above which is "Lascate ogni Speranza."
Almost a surf-guitar type progression, but of course in a completely different musicspace. But I wish I could be as enthusiastic about anything as a lot of dogs are about everything!
This is kinda a direction psychedelia might have gone in but didn't. 50s B&W footage distorted in that way is the absolutely perfect visual accompaniment!
Perky without being frantic, just the right kind of "ambient"ce for an early morning! Love the visuals. All smoke and mirrors (and lasers) of course, but i wonder what it is...or started out as...
Listening because you said you were a bassist for catholic comb. Listening because you have a song called chlorine. I used to work on swimming pools and whenever I would get a gash on my knuckles I would pour chlorine into it and my blood would turn black (looked black at least) from oxidation? Either way, chlorine never did me harm until the time I breathed a ton of gas into my lungs then I stopped liking it. But I do like this song
@@evalucidity Another take-it-many-ways phrase? But one of the best things about my little Fiat is it's one of the 5% of cars on the road that don't look like the other 95% of cars on the road. And I feel the same about your music!
@@evalucidity We all do. In one of his poems Ezra Pound asks Mercury, "god of thieves," to send him another line of work: "Anything but this damned profession of writing, Where one needs one's brains all the time."
Interesting juxtaposition, with the percussion insistently out front and the melody hanging on the edge of found sound and very much in the background.
Orchestral! some real chords and melodies gong over them, love the rich tones -- okay I'm a sucker for reverb, but....there's a longing in your melody that's not just an electrotone!
Trippy visuals, a clock ticking percussion -- but the quieter parts at the beginning more than a little Messiaen, and then it goes into Future Overdrive! Warning, the lady does not brake for Morlocks! Good one!
