Craig Einhorn, classical guitarist and singer/song writer, was born (1965) and raised in Yonkers, N.Y. He currently lives in Eugene, Oregon, USA. This RU-vid channel features his numerous recordings from the 90's to the present. These recordings include solo classical guitar works, classical guitar with small ensembles or orchestra, and original songs. Many instruments were played by Craig Einhorn including vocals, classical guitar, electric guitar, steel string guitar, charango, mandolin, ukelele, cavaquinho, electric bass, drum set, and percussion. In other videos Einhorn performs with his trio or a larger group. Einhorn's biggest hit and most popular RU-vid video is a Milonguea del Ayer which has touched a nerve with Tango dance communities throughout the world including Germany, Italy, Japan, Russia, Ukraine, Croatia, and more. Einhorn has one foot in the classical genre and the other comfortably planted in the world of popular music sung in English or Spanish.
Hola Tata, Tenes razón sin embargo Fleury le dió dos títulos y ninguno es Milonguero del Ayer. Son Milongueo del Ayer y Milonga del Ayer. Milongueo del Ayer aparece en la partitura oficial y Milonga del Ayer en la partitura escrita a mano.
Hola Elewan, Que bueno que tu abuela es una hincha de mi música. Transmitile mismsaludos por favor. Yo viví en Buenos Aires por 6 años pero ahora estoy en Eugene, Oregon, USA de vuelta. Si me busca en Facebook con mi nombre, CRAIG EINHORN, sigamos la conversación.
Hi Elian, Thanks for your comments and question. I agree with your concerns. When I first learned this milonga campera in 2001 or so, I found some Russian sheet music with the title spelled incorrectly. With regards to tempo, I agree it's too slow but when you make a recording sometimes we make mistakes. Milonga Campera is not for dancing but Tango/Milonga dancers seem to love this mistake of mine. I play all the instruments and clap my hands and the hand claps create a catchy polyrhythm that may be why dancers love the track. Before I moved to Argentina I knew little about milonga campera and was foolishly experimenting with the percussion. Usted es Argentino? Elian me parece un nombre común en Argentina.
@@ClassicalGuitarist Yes, I am Argentine, and I play guitar intensively. I have noticed that foreigners like to add mexican maracas, caribbean bongos and spaniard claps. It only takes away from the Argentine originality and tradition, which has none of these instruments. We use bombo legueros and have a pletora of our own percusive intruments. It just makes out music sound less genuine, flatter and just more stereotipical. The only thing this instruments have in common is they are from spanish speaking countries. I dont like it. I am not saying stick to the original, I am just saying this is not a milonga anymore.
Hola Elian, Tiene razón y le pido mil disculpas. Yo era ignorante a las tradiciones Argentinas antes de mudarme a Buenos Aires. Ya vivo en Los estados unidos otra vez. Usted habla muy bien el inglés!!!
@@ClassicalGuitarist Brother, theres nothing to apologize for. I am proud foreigners play our music. Its just that you are a good player with good technique and sound, I want to hear YOU play, not all the bells and whistles. As far as the English goes, its because my family lives currently in the states and so did I for many years. Your Spanish is very good as well.
Hola Juan, Me imagino que sos Argentino gracias a tú conocimiento de Milonga Campera. Es un honor recibir tú piropo. En el video toco con mi amigo Pablo Figueroa, Argentino. Yo soy estadounidense. Pablo es un virtuoso.
Y tu eres tambien un virtuoso. Soy Uruguayo y me encanta la guitarra de Abel Fleury Esa milonga en particular La estoy practicando ,pero aun me falta , Muchas gracias por tu amable respuesta @@ClassicalGuitarist
Hola Juan, Que bueno que sos un guitarrista! Respeto mucho a los guitarristas de Argentina y Uruguay. Me encanta Uruguay. Cuando vivía en Bs As tenía que visitar Colonia cada tres meses para renovar mi pasaporte y solía conocer otras partes de Uruguay. Contactame por email y te mando unas partituras, craig.einhorn@gmail.com que te van a gustar.
Muchas gracias Craig NO no soy un guitarrista Solamente un rasca tripas , Me cuesta mucho las tablatura, No son todas iguales; algunas las entiendo @@ClassicalGuitaristUn placer
Интересно, удалось вживую аккомпанировать танцующим Чичо и Хуане? Сколько лет они танцуют под эту мелодию и никогда не повторились! Гениальные импровизаторы! Воплощения Вашей мечты в жизнь на радость поклонникам полюбившейся мелодии! 👏❤😊
Мой дорогой русскоязычный друг, Спасибо за ваш комментарий на RU-vid. Я аранжировал и записал Milonguea del Ayer в 2004 году в маленькой спальне своего дома в Юджине, штат Орегон, США, играя на всех инструментах и хлопая в ладоши. Она была написана для гитары соло в 1940-х годах. Моя версия была опубликована на компакт-диске 2005 года под названием «Choros». Преподавателю танго из Сан-Франциско Гомеру Ладасу трек очень понравился, и он поделился им с людьми. Вскоре он распространился по Европе, и я начал получать новости из Италии о том, что этот трек звучит на милонгах. Я считаю, что Чичо и Хуана танцуют под этот трек уже как минимум 11 лет, и для меня это большая честь. В 2018 году я поехал на фестиваль танго в отеле в Буэнос-Айресе, Аргентина и Чичо, встретился в вестибюле и поговорил всего несколько минут. Я бы хотел когда-нибудь выступить с ним и Хуаной вживую. Всего несколько месяцев назад моя близкая подруга из Буэнос-Айреса рассказала мне, что она ходила в два известных и исторических клуба Буэнос-Айреса, один из которых назывался El Club Gricel, и на обеих Милонгах они играли в мою Milonguea del Ayer. Музыка, созданная в Буэнос-Айресе, вернулась в Буэнос-Айрес!
Good story. I used to play most of Fleury's work when I was a kid and adolescent. Killer technique and hard work that was not to mention the full sentiment that goes with it. Incidentally you do a good job with your interpretation in that respect.My guitar teacher - Lorenzo Girola-was friends with Fleury and I remember listening to home made recordings from their playing sessions.😊
Hi Rosa, You're correct. In 2001 or so I was taking Tango dance lessons and since I'm a musician I decided I'd learn some music to play for the local Tango scene in Eugene, Oregon. I searched the internet and found the sheet music for Milongueo del Ayer which had the title misspelled as Milonguea del Ayer. After speaking with an Argentine expert on the music of the composer, Abel Fleury, I discovered that Fleury had given the work two titles, Milongueo del Ayer or simply, Milonga del Ayer. This work was composed for solo guitar and what you hear in this video is my arrangement. I play all the instruments and clap my hands. The original work for solo guitar is a style called "Milonga Campera" (Country Milonga), and was not intended for accompanying dance rather for listening out in the Pampas of Argentina. A friend of mine who is an excellent Tango dancer from Oregon (Marisela Rizik), was in Buenos Aires several months ago at the historic Club Gricel. A man asked her to dance a set of milongas and the third song played was this recording! I recorded this music in a small room in my house in Eugene, Oregon in 2004.
