Hi everyone, I am Angel, an IVA internationally certified vocal instructor 3 based in Hong Kong. I am also a member of A Capella group “Grace Notes”. I will publish videos every week covering topics of vocal techniques, vocal knowledge, song appreciation/analysis, and voice training exercises. Aiming that everyone can enjoy and appreciate music.
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Vocal lessons available are for both in-person and online. My students are from Hong Kong🇭🇰 , Ireland🇮🇪 , Japan🇯🇵, Malaysia🇲🇾 , Vietnam🇻🇳, etc. Teaching students globally to sing songs in various genres/styles and languages naturally with freedom ~
Welcome to contact me to book in-person or online vocal lessons, or any collaboration work. E-mail 📩 : sayorsing@hotmail.com 🌎 sayorsing.com FB: facebook.com/sayorsing IG: instagram.com/say_or_sing_sos/
We're blown away by Ian's new style of music. 😍😍😍 The guitar and strings blend so well. Ian really has a great passion for music. He never fail to surprise us. Support him always! 😘😘😘 Thank you Admin for your detailed analysis. 🙏🏾 Hellosss from 🇲🇾
You’re welcome ☺️ I also appreciate that he tried to explore different styles of music. But we also need to credit the arranger, Nick Wong to have such a wonderful music arrangement, and also all the great performers of all kinds of musical instruments ! Thanks for watching and welcome to share 🙏🏻😇
不用客氣😉多謝你喜歡我的分析～音樂就是這樣奇妙，既是藝術，但又跟科學有所關連，例如作曲都會依據某啲chord progression，音程（interval) 又是以數字「量度」音與音之間的距離，甚至唱歌嘅音高（pitch) 都係講緊聲帶振動嘅次數。 當你細看創作人的作品，便會發現非常有趣🥰 Thanks for watching and welcome to share 🙏🏻😇
Wow. Seriously I prefer the late 80s way of singing. The original Leslie Cheung's voice. One good example that show case this kind of singing is "想你" from the 1988's Virgin Snow album.
老師評緊嗰個係live嚟㗎，只不過係錄影嘅live，由Elle man策劃嘅錄影，都有同其他歌手合作，把聲真係喺mic出嚟你聽真啲，唔係錄音版本嚟，錄音版本嘅mv啱啱先出咗，全首可以去Elle man ig/RU-vid 睇到，極其量只有後期tune過下音，但唔會係錄音室逐part錄，全片條live係一鏡到底真聲嚟
不用客氣😉除咗 Jer本人嘅演繹之外，我分析佢嘅歌，仲因為欣賞首歌嘅創作（包括曲詞編），特別頭3年嘅「克牛柳」作品，雖然我唔係10首全部都好鍾意，但成個concept上串連起來真係好crazy。 我亦唔係 Jer所有嘅演繹都欣賞，廣東歌佢係比較優勝（不過早期唱歌有啲拖同layback,現已好啲） 但國語、英文（好似 Rumours)歌真係仍有好大進步空間。 至於有些人覺得佢show off 高音，個人覺得佢唱嗰啲位全部都係match 番歌詞意思同情緒，並唔係真係「無啦啦爆」。 除非唱《坐看雲起時》佢都爆就有問題🙄btw 如你所言，每個人都總會有人喜歡有人不喜歡的⋯ Thanks for watching and welcome to share 🙏🏻😇
@@SayorSing感謝老師認真咁搵片睇及分析！ ☺️ KOL 風靈物語仲有另一個好欣賞既地方就係背景既多角度cctv wall，現場真係令人驚歎 … 同埋覺得柳整體上31號既 performance 比30 號既好。 另外一個欣賞柳既地方就係每次唱live 都會對歌曲調整 （唔會exactly CD 咁同 studio version 一模一樣），令到整體上更smooth （我覺得砂之器同雲起蠻明顯的）。 所以多啲唱 live 真係好重要，可以俾歌手吸取經驗及進步 ，期待佢之後繼續進步 ☺️ 亦期待老師之後繼續為柳歌曲分析，俾我地歌迷了解及學習更多😎💙
多謝你喜歡我的分析☺️《以孤獨命名》chorus 部分有啲16分音符，令到歌詞密集，換氣位好短。係比較難控制氣息，所以聽studio都有明顯嘅換氣聲。 但旋律、情緒不會大上大落，比較一致連貫。相反《鑿》chorus 好多反覆8度上落，情緒大起大跌。如果唱live 係需要做到呢隻急速「切換」，所以我覺得各有難度。 Thanks for watching and welcome to share 🙏🏻😇
不用客氣😉其實佢好多歌都唔易唱，自己作曲亦值得鼓勵，不過自己作更加要了解節奏掌握同埋旋律「大跳音程」嘅問題。 佢近年嘅狀態唔係太穩定，由第一次紅館show到現在，我覺得佢表現最好係去年10月嘅澳門show,其餘嘅都普遍有頗多音準問題。 用錯外肌力發聲會加速聲帶勞損，嚴重的更會令聲帶出血，生 nodules 。而面對佢咁多演出,兼且歌曲大多難度頗高，個人覺得佢有需要加強體能訓練。外國歌手經常touring，除咗train把聲，都做好多physical training 包括weight resistance. Thanks for watching and welcome to share 🙏🏻😇
多謝你喜歡我嘅分析😊我片中講嗰2個phrasing問題，本身studio version 已經係咁。至於改其他位置(換氣位），其實只要唔影響個flow就可以，至少唔好將一個名詞或動詞「斬開」咗就好。 搵啱換氣位可以令佢唱得順啲，不過咁又唔算係改變唱法。 Thanks for watching and welcome to share 🙏🏻😇
