Hidden between the frames of reels are the stories that give meaning to life. Filmblade exists to discover that meaning by making every frame count. We know what your final draft looks like. Welcome to Filmblade, your virtual post-production house based in India.
Thanks for the vid it’s really helpful! If u want actual constructive criticism my only advice would be to zoom in when you are picking specific settings just so it’s easier to see. But awesome video either way thanks!
Hola Filmaker ya lo he puesto mi ultimo video como ejemplo para que veas que tego un problema con el croma ¿me puedes ayudar,, de paso me he subcrito a ti, haber que me puede pasar,, en mi vacinci 18,7 no hay Key 3d y puse composicion delta en el apartado de fusio, estoy negro,, con premiere era mas facil gracias ¿por que me sale esos colores tan feos? detras de mi ?
I wanted to decorate it like a movie, so it's a treasure video I found while searching for multiple sources! I was at a loss because I only had DeHenser paid ad videos, but thank you for telling me how to apply directly to the Premier Pro.
Cheap made unnecessary Background music… I did klick away after one minute. Music is cheap made from didiscounters licke epidemic, Artlist or Audioo. Sorry I finish after one minute. Music have nothing to do with the content…
Thank for the tip, really good, if I can suggest something, I have to watch yt videos late at night with headphone and that mouse click its super annoying.
This video absolutely destroys every other tutorial I've watched (& I've watched a lot) Better explanation & key information that was missing from EVERY other video. A++++++++++++++++++++++++++++++++++++++++++
problem is that you set the luminance keys before putting the LUT in. So any gamma curve or changes that the LUT is doing will break your keys. That is kind of the achilles heal in this node structure. Anything feed the key can change the key. Also if you use the built in grain in Resolve it has under advanced - sliders for low,mid, highs that will let you mix it without pulling keys.
Thanks for the tutorial, it worked a treat! I have some poorly shot footage (badly lit), and the camera is moving - I heard somewhere you can do a "traveling matte" to get rid of things you dont want to see, especially as the camera moves - but I cannot find a tutorial for this. Any ideas?
Nice breakdown thanks, but I think this is a little misleading. Film grain is more apparent in the shoulder of the image. Why are you emphasizing more grain in the shadows? Also, +1 Jon Pais re tonal manipulation of grain on subjects' faces. Davinci Resolve's controllable built in grain is perfect for this application with the luma keys described but without the need for mattes.
You’re kidding me, right? You’re turning toenail cutting into brain surgery. I don’t know anybody who’s going to go through this cluster fuck. There has to be a better and easier way.
