The mezzo soprano does not look at all like Giulietta Simionato! She is much bigger and her face is very different from Giulietta’s face. I saw Simionato many times on stage and this mezzo is completely different in both appearance and especially in the way she moves.
By all reports he was a kind and humble human being. Best friends with Corelli. It makes the cancer even more tragic, if possible, that a good and handsome and humble had to die that. People who knew him said he had a troubled soul but maybe that’s where the artistry came from.
Sarebbe possibile avere qualche informazione in merito a quanto riporta questo video? Quando e dove sarebbe stata registrato quest’oratorio? Non sembra nemmeno lui, ha una vocalità diversa rispetto al Bastianini degli anni 60, che fosse ancora il periodo precedente al debutto baritonale?
Абсолютно великий , неповторимый и как певец и, как человек- ЛИЧНОСТЬ, очень высокой нравности , культуры. А самое главное;- врождённое чувство долга певца- профессионала которое он нёс до конца своей, такой не долгой, жизни! Вечная ему ПАМЯТЬ❗️🙏❤️❤️🌹
Благодарю Ассоциацию за предоставленную возможность прикоснуться к прошлому. Даже старая некачественная запись позволяет оценить красоту дарования и талантов солистов. Хотелось бы ещё и титры на русском языке добавить для тех, кто не знает итальянского и впервые прикоснулся к опере , даже случайно. Хотелось бы чтобы это прекрасное искусство приумножало своих почитателей.Еще раз благодарю за предоставленное удовольствие. Бастианини здесь все ещё прекрасен!
на этой записи абсолютно ничего непревзойденного. вы наверное автоматом оставляли комментарий вообще за заслуги Бастьянини. дуэт сложный, партия баритона очень сложная тут - Бастьянини здесь ужасен: голос звучит как каракатица. все остальные не лучше.
@@user-of6zj9pv1pвы идиот ,??? Полагаю, Что, Бастианини, для вас , полная глухая стена. Я из тех, которые, чуют плохих людей за версту, а вы как раз из той породы. Это не оскорбление- это константация...
Antonio Annaloro, born 10 May 1920 in Palermo, Italy and died 10 July 1996 in Rome, Italy. Lucia Danieli (1929-2005), was born at Arzignano near Vincenza in the Veneto, and studied at Florence with Arrigo Pedrollo. Ettore Bastianini (24 September 1922 - 25 January 1967). Bastianini's health declined steadily over the last two years of his career. His performances were inconsistent, some excellent and others poor. In 1964, he sang his last new role, Mephisto in La damnation de Faust, at the Teatro di San Carlo in Naples, to good reviews, but his Conte di Luna in Il trovatore in Prato that year was reportedly disastrous. In 1965, his final year on stage, he returned to the Lyric Opera of Chicago to sing Amonasro. He also portrayed Scarpia at the Teatro Comunale Florence, and Iago at the Cairo Opera House. He spent most of 1965 at the Met with mixed results. Some performances were well received, but he was booed during a performance of Tosca. His final operatic appearance was as Rodrigo in Verdi's Don Carlo at the Met, on 11 December 1965. He finally succumbed to cancer in January 1967, and was buried in his hometown of Siena.
Questi cantanti non meritano l'attribuzione completa di nome e cognome? Elencare semplicemente un cognome è peggio dei russi che di solito davano l'iniziale del nome e il cognome.
Io l’avevo sentito dire ma non ascoltato,ma adesso l’ascolto sempre,una delle più’belle voci che abbiamo avuto,resta la sua voce chiara bella e all’italiana ❤❤❤
If this man counts to Baryton voice so i consider Del Monaco,Corelli, and of cource Giacomini so do. so something must be very wrong in the opera world.
