i dont know why, but I found the short part from 16:18 to 16:19, where the sitar joined the sarod in the jhala, very melodious. The two notes merging seemed so beautiful. Anyhow, enjoyed the performance
as a young man in the countryside in the middle of America in 1967, the discovery of this recording unleashed a 56 year love of classical Indian music..this, with the World Pacific recordings, put a harmony in my heart..I still have the LP.....what a journey that unfolded from the initial experience......!
9:57 Please is there somebody out there who can point me towards the full version of Nikhil Bangerjee's breif clip. I've absolutely loved this short clip of his playing for over a decade and haven't been able to find the full version. Or at least a very similar recording with that same energy and amazing meend technique. I would be so grateful to finally find the entire recording
I liked the Stage decoration very much. The Tabli of the Sarod is shown like a Face of a person. The Painter Artist is very creative. Congrats and Thanks to the stage decoration team
This artist is not "passing on any tradition" Everything he plays here is fixed, memorized music from class at the Ali Akbar College of Music in California. Hindustani performance practice is music improvised from the artist's understanding not fixed composition from his memory.
