Jorge L. Santos - musician/researcher - jorgelsantos.com
Here you are going to find videos of: - My classical guitar live solo performances - chamber music live concerts - my compositions performed. - Prismas Musicais classical music serie (which I produced from 2010 to 2013) - My Composition Group ("Projeto Baixo Clero") videos - Rio de Janeiro´s Guitar Association (AV-RIO) - Interviews, lectures & academic communications
If you like, help to spread the video´s channel by "liking" and sharing them as well as the channel itself.
Os meus amotes são flores, feitas 1m🎉 em original , mas São Paulo é exatamente isto as 4 estações do ano em um dia rs, é muito bom esta aula sobre a Paulicéia
La vraie performance c'est l'écriture elle-même sans considération de la valeur finale. D'ailleurs c'est l'une de ses œuvres les plus écoutables car on dirait du Prokofiev.
Portugal não teve metade da invasão de propaganda dos E.U.A , só pra vc ter uma ideia houve uma época que o Brasil trocava café por filmes americanos, isso em 1920 algo assim. Aqui quem nasceu de 60 em diante sofreu um bombardeio diário de softpower, desenhos, filmes e séries o dia todo na televisão.
Amigo, gostaria de agradecer pela disponibilidade do documentário com legendas em inglês, para que nossos amigos estrangeiros façam a devida análise. Contudo, tenho uma correção a fazer: quando é anunciada a intervenção nos sindicatos, o porta-voz do então Ministro Murilo Macedo cita o art. 528 da CLT, não o artigo 128, como citado nas legendas. Abraço!
I have alway admired and respected the really giant Maître that Boulez was, and my admiration culminated when I got the chance to meet him at Ircam back in 2010. In 2016 I humbly dedicated to his memory my piece for chamber ensemble “Les cloches sans maître”. That said, I never understood and never forgave that such an intelligent human being could make the mean, blind, ignorant and completely wrong statements about many of his contemporaries and colleagues such as Satie, Les Six, Dutilleux and many others. In addition to that, he behaved as an arrogant mafious boss, literally fighting all those composers whose language was going in other directions than his own, doing whatever to boycott them, and often successfully due to his limitless criminal power. That shows he was indeed a big Maître, but, due to his need to belittle everyone else, as John Adams acutely said, Boulez was a big Maître with a very, very small marteau... This may sound trivial, but look: who are usually the arrogants who need to belittle the others? Those who live a complex of inferiority due to their small... marteau 🔨
@@JorgeLSantos ah, idk if this is still the correct way of doing it, but you might be able to: 1) go to the RU-vid Video Manager for your channel 2) click on this video from the list 3) go to Enhancements 4) click "Revert to Original" and Save Maybe that works? I just looked up a tutorial on RU-vid, searching for "how to turn off autostabilization on RU-vid"
On espère des explications détaillées de la façon dont "Sur incises" est dérivé d'"Incises", mais ça reste vague, peut-être rendu plus vague par le montage du film, je ne sais. C'est comme un simulacre de rigueur mathématique. "Le thème revient toujours de la même façon", dit-il. Ah bon? En quoi les harpes le jouent-ils de la même façon? Ça sonne très différent pour moi. Il annonce que la première note "précédée d'une espèce d'appogiature" est un objet et "c'est cet objet" continue-t-il - et on entend de nouveau, non pas la seule note "précédée d'une espèce d'appogiature" mais aussi la "désinence rapide qui la suit". C'est quoi "l'objet" qu'il va transformer, élargir ou dieu sait quoi: la note, ou la note suivie de la "désinence"? Ça fait une sacré différence. Etc.
