I'm a multimedia artist, photographer and arts educator in Los Angeles! In my studio, Primordial Creative, we explore experimental and expressive art techniques, the creative lifestyle and challenges that come with it, behind-the-scenes content, original shorts and animation and more!
Contact: info@primordialcreative.com www.primordialcreative.com Learn more at our tutorial channel www.skillshare.com/r/davidmiller
found your page becuase my teacher wanted us to learn about cyanotype printing but some off the images you were using in the video had an edgy feel so I had to do some more digging on your channel and now I see that your a nin fan like myself and it all makes more sense now haha.
This is a great starter Polaroid camera. I really like it! HP do 50 sheets of zinc paper for about £45 at the size of 3.25 x 4.5. I wish the Pop could print as a bluetooth printer from a phone too. I got the HP sprocket for printing from my phone. The 20mp camera on the Pop is pretty good too. The Pop allows you to edit, but it's limited. But that's ok, it just means you have to try and take the photo the way you want it printed.
I am a big Phil Ochs fan, thank you for putting together footages and audio to animate and honour his legacy. From a filmmaking perspective too, your work is amazing!
"Sometimes I feel that the world isn't mine, it feeds on my hunger and tears on my time". Thank you, Phil Ochs, for being who you were. It helps, knowing we are not the only ones who feel like this, knowing that there are people out there who make videos like this.
Love this video, thank you!!! Motion comics is my medium. Do you recommend Procreate Dreams above other softwares for motion comics? What about CTA and Clip Studio, which is getting more advanced in animation and already has the tools for comics aesthetics. Do you teach live online by chance? Or in Phoenix?
I’ve only ever used After Effects and Character Animator for motion comics, but I would definitely stick with Procreate Dreams since the majority of my own comics are made in procreate- easy to port over. I lived 20 years in Chandler them moved to LA but lessons online could be set up 🫡
Are you trying to put people off so that they hire you to do it rather than they try to do it with a pretty crummy tutorial ha ha kind of depressing Procreate Dreams is not designed by the most intuitive engineers. I don’t believe you NLESS it is.
I just wanna know if I can draw stick figure on top of the video framed by frame and then remove the video? This tutorial seems pretty. I hate to say it but not so smart? I don’t know what he’s up to. I’m not gonna watch the whole thing.😅
It’s pretty great, and an improvement on the album prior. Really lacks David Baynton Power drums (again). Wonder why he skips performing on the albums lately. Mobile God is an all-timer for me.
@@DeathlessDevil from what I gather from something Tim said, it’s distance of all parties involved and probably the pain of recording drums is not equal to the ease of programming and samples. After decades it’s like a lot of these bands become a core of a one or two people doing everything filled out by players, which was like the way Jesus Jones and NIN operated but I see it a lot more w The Killers or Primal Scream etc
Completely agree with your message. My best work came from working with what I had. Sometimes being restricted in what you can access is how you break boundaries. Using the tools themselves is part of the creative process.
All my favorite photographers like Anton Corbijn and Frank Ockenfels 3 say the same thing. When I took a workshop w Frank he encouraged us to build our toolset out of older things or like lighting from Lowe’s rather than Profoto or whatever
I was also thinking only yesterday (after watching several RU-vid videos of James's recent (2022-24) concerts, that both Chloe & Debbie have really been positive additions to the band. I love James's stuff through all the ages/decades, but what they've done & are continuing to do these last 3-5 years has taken them to the next level (in my opinion). & the story of how they came to be in the band is quite interesting (it's also on RU-vid amongst their many interviews & songs).
The attraction of 110 cameras was light weight, small size, and pocketable convenience. I owned a Minolta 110 Zoom, this camera, for about a year. It fails on all three of those standards. Also, the zoom lens was, at best, average. Although you hold it flat like most 110 cameras, making it easy to hold steady, it is a handful. It's larger than many small full frame 35mm rangefinder cameras, which will give you a far better image/photo. The pricing of 110 film and its processing cost nearly as much as a 35mm roll, so there were little savings at that level. I quickly moved to a "Minox 110". This was a very high quality camera with great optics, in the same configuration as most 110 cameras. It was a fixed focal length, but in every other way far superior to the Minolta.(It's history was that Balda in Germany developed the camera for Leitz to sell as a 110 Leica. Leitz decided not to do that, so Balda roped in Minox and made the camera for them.) I took it on a few short trips as my only camera. and it performed perfectly. However, in the end, I could not accept the grainy image resulting from any significant print enlargement. I ended selling the Minolta Zoom on-line. Instead of packing peanuts, I padded the shipping container with rolls of 110 film I had stored in my freezer. The buyer of the camera was favorably surprised that the going cost of the film included was more than the camera price. (I had no further need for the film, as I planned to sell the Minox 110 package at a swap meet in a few weeks, and did.)
This whole thing is a polarizing subject,. Everyone has to draw this line in the sand for themselves, and be ready to face to consequences and backlash for whichever side you fall on. I may push the envelope too much with what images I take, without consent. I guess it helps being an event photographer. Kinda gives me a get out of jail free card. Anyway I know this is a challenging subject. On a slightly related note, I'd love to hear your thoughts on a youtube short I just posted. It's a silly look into the ethics of wide angle close up vs telephoto voyeurism when shooting the public without consent. I titled it "Photographers are Creeps" You know... for clickbait. Anyway Subbed. Thanks for sharing your take on this, alot of people would rather shy away from touching upon ethics.
And then whoever else who is less talented than you will put out a patent and steal your idea and then you won't get it until that person dies and then the Congress will vote that your patent was yours but the world will give it to everyone else credit is done by the poor people in stolen by the rich