youtube has an unfilled niche. one for classical piano. with users like sissco and ivrykeys you get alot of it, but what i want to do is provide the information behind the pieces. classical piano is my life, my love, and my very being.
if you were ever familiar with the youtube user "thepianist," well.. that was me. my account got suspended because of copyright infringement. but here i am again, back and refreshed to build it all back up! please enjoy the videos that i upload, because its this niche that i wish to fulfill.
-paul
(old) UPDATE: MY VIDEOS ARE UNDER ATTACK BY THE COPYRIGHT NAZIS! I'VE LOST SOME OF MY MAJOR VIDEOS, LOTS OF HOROWITZ, SOME LANG LANG, A FEW YUNDI AND ARGERICH..
MY PLAN OF ATTACK IS SIMPLE: I'LL REUPLOAD ALL THE VIDEOS THAT I'VE LOST, ONLY WITHOUT TAGS. THAT WAY YOU CAN ENJOY THEM WITHOUT THEM GETTING SNIFFED OUT BY THE COPYRIGHT NAZIS! tell your friends :)
This is the single greatest performance of this masterpiece. Every time you see any other pianist play it there is a struggle between the musician and the music, with both sides fighting for control, HOROWITZ MASTERS IT
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The whole performance is amazing. But the passion Horowitz displays in the third movement is quite revealing. At the time of the US and USSR, NATO and the Warsaw Pact, the world was concerned about nuclear holocaust. Nowadays, we’ve added global extinction thru bioterrorism.
The second scherzo movement starts out fueled with rapid accents and experiences a considerably somber closing which as such an ending turn is the perfect tempo to blend in with movement 3, ' the marche funubre '
There is no doubt that he plays it perfectly! He even plays it with perfectly beautiful dynamics. But that is in fact his very problem. Daniil Trifonov plays it better... I would even say far better. And I know this might just come down to the difference between personalities who prefer perfection, and those who prefer less perfection and more soul.
many others play more or less the same style but this interpretation is really special. the pace and energy control throughout the piece is absolutely phenomenal
