The first part is E dorian b5, then an enclosing the root of A7 using the b9 as an alteration (I would not think scale-wise at this point). The last bar (dm7-G7) Charlie Parker maybe thought about C dorian since G7 resolves to Cm7 and he did not wanted to play the changes at that point just thought about Cm7. I made an alternate ending in my 2nd play-through.
I discover Jeef Healey after seing Roadhouse , i love his playing , do searchs , and find your channel ! So happy of this live blues licks series . So much of my favorites guitarist, except Mick Taylor maybe ! Thank you for your jobs, lets rock
Thanks for sharing your thoughts and appreciating my work. I have not even considered Mick Taylor yet and focussed more on the usual suspects. Unfortunately YT makes it hard to publish some original footage for this series due to copyright restrictions.
Thank you for a methodical and thorough demonstration. Too many demos can't seem to get it right like you have here! Have you tried the Sidecar EQ/drive pedal of theirs?
Thank you! No, I've not yet tried the sidecar but recently got the "Double Agent" during Cyber-Week. It's ok for what it is and does its job. I also have the "Evil Twin" which is a really good pedal.
Thanks for your comment - I never thought about that. He uses the same vibrato Eric Clapton uses - not touching the neck with his palm and moving the whole arm to get a very controlled vibrato while holding his hands stiffly.
lol - in the video he tells everyone that he's got the idea from Eric Johnson - but since he shows his version of this technique I decided to take his name 😁
Unterschätze das Teil nicht - ich spiele meine Gigs NUR noch mit dem Superblock oder bei lauteren Gigs mit dem Toneblock. Tontechniker letzte Woche, als ich beim Soundcheck ein paar Töne gespielt habe: ich weiß, dass das nach vorne hin gut klingen wird 😁
@@hartguitar : die Superblöcke gibt es in UK und US (Fenderish)-Ausführung, haben 25 Watt. Der Toneblock 202 hat 200 Watt. Eigentlich reichen die 25 Watt aus - auch auf großen Bühnen. Ich würde den Superblock US empfehlen. Den UK habe ich hier zum Üben und für RU-vid. Toneblock ist super, wenn der Kollege mal wieder seinen Marshall aufreisst und mich an die Wand drückt 😅
Wow - Brenda - this is great - it is never to late to start playing an instrument. I wish you an awesome musical journey. Thanks for checking out my channel.
lol - ich habe nicht einmal eine Redbox - irgendwo fliegt noch'ne DI-Box rum, die ich aber bei Gigs nicht dabei habe. Für's Worst-Case-Szenario habe ich so'n Pedalfloor-Amp (Hotone Britwind). Die Thomann-Treter sind richtig gut.
I guess you cared more about his left hand fingerings? I included them in the tabs - just like the picking direction so you don't have to miss a thing. I am sorry if you feel uncomfortable with the design decision. Merry x-mas.
@@DizzyKrissi I have found the secret to really being able to nail the EJ/JB cascading pentatonics sound is in the minute details of the picking hand. Like the Troy Grady Cracking the Code Series - very specific and deliberate pick angle, when and how you change strings amid the run, etc. I have the fretting hand speed and accuracy down, just can't get the rapid fire picking style down yet. I do see the upstroke/downstroke notations on the tab. I will take a closer look. Sorry if my comment sounded snappy. Merry Xmas to you as well!
