Orchestra Collective is an exciting and independent musical initiative driven by Singapore’s finest young musicians. The ensemble’s goal of enjoying good music together is what keeps their musicians going, and why their audiences come back for more. Orchestra Collective’s commitment to their musicians is encapsulated in the elements of camaraderie and respect, making their musicians’ creative and artistic journey as a collective a rewarding one. For audiences, Orchestra Collective continually presents familiar music to offer fresh soundscapes as well as new music to broaden musical horizons. With its musicians’ versatility in style and technical ability, Orchestra Collective seeks to redefine repertoire selection and the essence of sound, and inspiring other young musicians to do the same.
This is one of the last songs I am playing for my 8th grade band, I am using this recording to help me focus on my blending and balance and how much it affects the playing. :)
My hat’s off to the E-flat clarinet player. Deadly-accurate articulation and intonation, and a sweet tone! Bravo! That eefer part in the first movement is no joke!
Here in Brazil, large brass bands performed this piece, the one that performed best was the Corporação Musical Lyra de Mauá, from the city of Mauá, in the state of São Paulo. And this performance has a lot in common with Lyra's performance, with a lot of strength, a lot of "grip", at the same time with incredible expressiveness. Of all the performances I've heard, from groups all over the world, yours is without a shadow of a doubt the best! Bravo! Bravo!
As a baritone player this was by far the best piece i had ever played. it is so involved. I played it in high school and then in the military. That was over 30 years ago. I miss playing
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#SEMPER FIDELIS #QUA PATET ORBIS #JE MAINTAN DRAI ! ♫♪ great ♫♪♫♪♫♪☺ BRAVISSIMO @/bisbis 🎶🎵🎼 great music! a well tuned ensemble that sounds like an organ ! Fabulous banding! Compliments! #SEMPER FI #QPO #JMD🎵🎼🎼🎶🎵🥁🎺👌👌🙏🙏🎺
Introduction and finale lack hate for nuclear Overkill and non abstinate and immbibrerry . ORAL FIXATION UPPER LABIAL DENYAL DISSORDER. BLADDER REFLEXIVE TOXIC CLEEN UNORDER UNORDERLEY. DUAL PHYSICAL HOOK DRINK HAVBUT FORMALDYHIDE ALCOHOL UNSAFE REFLEX CONVOLUTED REFLEX NON LOGIC DHEA GLANDDS ENZYMES DEFECTIVES CROSS ADDICTIVES Alcoholic DELEREUMM TRAMUS . EMOTIONAL DOMINANT LOGIC ACCESSES VIA SERUMS NON NERVOUS TACTILITY TENTACLES NEURONS SICNESS DELAPIDATION NON FUNCTION DESTIVE PERSONALITY DISORDER .SUICIDAL DIAGNOSIS EACH AND EVERY REGULAR PARTAKER OR ALCOHOLIC INJECTOR OR CONSUMERS ORAL.
My high school band played this piece in 1962 at a concert called Music for Spring in Toronto Canada at Harbord Collegiate Institute when I was only 14 playing with my 9th grade string group.Thank god it was all preserved on a vinyl disc recording to be enjoyed forever long before You Tube.I am now 74 and living in LA and still L l love the piece.Great job with hard trumpet part!
That's cool. Our high school band also played this a lot, back in & around the mid 1980's. I was Sousaphone/tuba. I do not think our teacher recorded any of us though, but maybe he did with a future class. Time flies, from when this was first played in the 1920's, then your band in the 60's, my band in the 80's & now we're listening to on the world wide web in the early 21st century. And it will probably keep going 500+ years from now.
