Does anybody know origin of this recording? I would love to have it in my Dhrupad CD collection, but so far it seems that Uday ji has never officialy released a recording of raag Yaman...
Hamsanaadam......the most favorite ragam..'kalyaaaraama raghuraama raama kanaka makuta marakata manilolahaara dasharatha baala sItaa' is the wonderful kriti of the great composer- Ootukkaadu Venkatakavi in the said ragam. Presented a good ragaalapana......excellent tone..diction is fine....yet found slight diction.lyrics issues; Proliferated super layam ,,,,,,rhythm and tempo ...the entity of the keerthanam. Skipped Charanam3; sang Charanam2 prior to charanam1 ....swaroms with notes of the ragam...the concert had the flavour of his Guru Madurai TNS's style of singing ,,,,Very promising vocalist ,,,Best wishes
Why do Carnatic vocalists skip the madhyama or nishada emphasis in these ragas. the madhyama is almost completely ignored when moving from the rishabh to panchama (the phrase "raama") , as if that madhyama does not exist at all... But isnt that note the essence of Hamsanada , while it is very close to the pancham, it woudl be nice to hear a version that gives that note some time/breathing room enhancing the raga.
If we introduce Dhrupad in our school.Even just a one class per week. What a Eco system we will be handling over to next generation. The meditative impact will be beyond words on them.
I thought this music was a dialogue with god. By listening to this music, i sometimes feel like this is god who speaks trough his voice, a monologue from god actually
🙏🙏🙏 Extraordinary rendering , I had the pleasure and honour of hearing Pt. UDAY BHAWALKARJI about 3 decades ago when he was much younger n visited Jaipur may be for annual Dhrupad samaroh and I was so impressed by his voice then ,I new he will be a mastero in coming times....many thanks for uploading 😊🙏👌👌 Durga singh jaipur Rajasthan
