Cantor Beny Maissner singing David Bagley's song on the Shabbat service at HBT. (August 17, 2024) It was a Triumph! His emotional and beautiful singing touched us deeply. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-U_y99nSRPCk.html
Beautiful. Well done 👍👍👍👍👍 My gosh hes standing in a music store playing like that, i can see he's really living it. He is in the zone 👌that is a real feel for the piece.
The interminable use of the same prop, the stutter, makes this very difficult watching indeed. One, yes, twice, maybe, three times, it's not humorous but oppressive. They should have got to the singing faster and his stutter miraculously clear up with a happy ending.
This recording is great, but it is nothing to compare being in Romi Goldmuntz Synagogue and listening to this rendition on Yom Kippur, without doubt the best Chazan of our time.
There is definitely an Eastern European cantorial sound. You hear it in Jadwolker, Schmidt, and Peerce and Tucker. Shickoff was the last major operatic tenor to have it. Funny that Tucker denies it exists and then there is a video of him tossing off the coloratura scale at the end of ‘La donna è mobile’ in pure cantorial style.
there is nothing cantorial about tucker's cadenza in "la donna e mobile" and both both bjoerling, schipa, kraus and caruso had very similar excellent cadenza's and they where not cantors or jewish, the tucker haters try to put him down using that crap about him being a cantor, but the Italians loved him and he was a wonderful tenor no matter, if they didn't know he was a cantor then they'd say how great the cadenza was and it was great, especially when you consider he had (tucker) a very big spinto voice but it was well used.
@@rst-3192 There is no claim whatever in what I wrote that a cantorial voice is inimical to idiomatic Italian expression. To deny that a cantorial timbre is something identifiable is not to have ears.
