I'm a professional composer, conductor and arranger/orchestrator by trade, with a keen focus on soundtrack composition for games, film and other media.
In my spare time I love to create MIDI Mockups and re-orchestrations of soundtracks from some of my favourite films and games.
Channel avi by makowka: twitter.com/makowwka?t=w_H9-_76slekh5stRL-mwQ&s=09
“A shuddering silence fell upon the room. Every face was suddenly contracted in a painful intensity. "Doom!" "Doom!" "Doom!" to the last stroke. The big clock echoed in our ears like the hammer of destiny.”
I do wish that the songs were on Spotify such as this one. It's dope nonetheless, and honestly I do hope that one day you post again with more LoZ songs.
"El tiempo una vez perdido no se puede recuperar. No se puede reclamar. No puede volver a pasar por el mismo camino. Los recuerdos tienen color. Los días despreocupados del pasado brillan, cualquier mancha de deslustre se ha desvanecido hace mucho tiempo. Los detalles mundanos a menudo cobran más importancia. Incluso los lugares oscuros tienen su belleza, aunque el dolor del trauma siempre deja su mancha. Está bien. Puedes tocar la Canción del Tiempo, dejar que los recuerdos te envuelvan y te traigan calidez. Puedes aferrarte al lugar de donde vienes y a la vida que te construyó. Pero ten cuidado de no quedar atrapado en el bucle del tiempo perdido. "
I thought this track was so underrated, especially the dulcet additions in the past variant, so it's such a blessing not only for a reorchestration of it to exist, but one as hauntingly gorgeous as this. You've filled out the sound so amazingly, the atmosphere is really elevated from the original - it's obvious to tell how the original made you feel through your arrangement of it, and that's really delightful!
I search for a remix of 'the Final hours' and i found one of the best i really like and i'm not like this remix, i love it... (Majora's mask never getting forget from me or someone else)
What instruments did you use? And if they are vsts or kontakt libraries, which ones were they? What an impressive job, you left me speechless and someday I would like to make this type of music, that's why I ask (apart from the fact that it's my favorite game and for me tloz ss has the best soundtrack)
Thank you so much! I'm glad you enjoyed - I used a bunch of different Kontakt libraries: Percussion: Live shakers, Native Instruments West Africa and Action Strikes, Damage 2, Omnisphere Java Gong - B2-G3 (same sample from the original) Strings: Performance Samples Vista, Cinesamples CineStrings/CineStrings Pro, Spitfire Audio Olafur Arnalds Evolutions & Chamber Evolutions Woodwinds: Cinesamples CineWinds/CineWinds Pro, Strezov Sampling Duduk, Omnisphere Windy Pan Flute (same sample from the original) Choir: Strezov Sampling Rhodope, Omnisphere Gospel Choir Oh's (same sample from the original) Live Irish Bozouki/Guitars Hope this helps and best of luck in your music-making journey! : )
Hey! Thanks for your comment, about 2 years ago I went full-time with work as a composer and orchestrator, so it's become harder and harder to find the time to do more covers/arrangements. I've still got lots planned and I'm hoping there's one or two almost-finished ones I can polish off an upload soon!
This one took six minutes(exclude the title which lasted 8 seconds) while also adding a game timer of 6 minutes I can die peacefully knowing that face-moon will crash in exactly 6 game hours.
Hi @@Kevinterell! Unfortunately not at the moment, am currently sorting issues with my music distributor, but hopefully it'll be available for streaming soonish!
“No one more than him [Dale Earnhardt] appreciated what it took to win this race. And so, three years after he had finally realized it for himself, he spent his final moments ensuring that his friend, and his son, could realize it too.” -EllyProductions49
This shit was way too dark to be a children's game. Just look at how impactful this game was to all of us, the way it still affects us as grown adults.
Hey there, great question! If you mean the one at roughly 0:22 - that's just a tubular bell hit that's been electronically edited so that the initial attack has a slower onset, but if you mean the lower secondary one around 0:24 or 0:26 (which is the same one used in the original track), I'm unfortunately not sure! I've been on a bit of a quest to find out exactly what sample was used - definitely an idiophone of some type, probably a suspended tuned gong, perhaps maybe an effected Javanese kenong or bonang... The closest lead I have is a Java Gong sample from Omnisphere (which was used heavily throughout the Skyward Sword Soundtrack) Java Gong - B2-G3, which was originally from Spectrasonic's "Heart of Asia" library. It definitely sounds close but I think it was layered in with other samples and processed. Hope that helps!
Wow. This is by FAR the most perfect version of the Final Hours I ever heard. The bells starting at 2:35, the music going crescendo... And then, 4:20 with Skull Kid laughing, and the clock in sync with the music, the choir raising... PERFECTION!
If you haven't acquired all the masks, time to reset the clock. If you did almost all of that, have Chateau Romani Milk in your inventory since the Night of the First Day, and have unfinished business in Clock Town after stealing Kafei's Mask from Sakon, warp to Clock Town, haul ass to the places needed to complete the Anju and Kafei sidequest, then prepare to save the world. _This is do or die to prevent the apocalypse._
