I wonder if any of those students went on to have decent careers? That poor tenor though struggled so badly from a bad technique through and through. Pav knew his technique could not serve him well in the arias he selected.
04:34, frittella 14:00, Regnava nel silenzio 19:12, Faust 23:35, Freni accenna 25:45, Caro nome 27:20, miò desir 27:52, cali 32:35, Fia dunque vero 34:38, mi devi spettinare 38:20, Non più andrai
Forse avrà avuto dei modi talvolta un pochino diretti ma si vedeva che era un pezzo di pane. E devo ammettere che alla fine questa bella ragazza con la sua bellissima voce ha effettivamente migliorato i suoni. Lei è l'esempio di ciò che dovrebbe essere un buon insegnante.
Que feo documental, gastamos mucho tiempo en oír al entrevistador y cuando por fin vamos a escuchar algo escasamente relevante de Kaufmann, el impertinente pianista acompañante lo interrumpe. Que horror!
One of two possibilities: If the comments were disrespectful, then yes, I deleted them. If they were not disrespectful, then probably youtube deleted them because I had not reviewed the comments in 30 days (All comments have to be reviewed and approved by me before being published). RU-vid deletes them automatically if more than 30 days have gone by without review. If that is the case, my apologies. Feel free to repost them as long as they were curteous and respectful. Thank you.
It would be wonderful to know who the singers are. The soprano singing Desdemona has a very lyrical, more like a lyric coloratura? Definitely not a full lyric. She has very little if any chest voice.
My favorites to sing from there are Se tu m'ami, and Sebben crudele Favorite lyrics? Nel cor Mi pizzichi, mi stuzzichi Mi pungichi, mi mastichi "You pinch me, you tease me You sting, you Bite me!" But --- Such a pretty melody!!! 😊😊😊
I will say -- I saw Pavarotti sing "Per la gloria" at the Masterclass he did in early 1979 (Jan/Feb?) at Julliard. Completely different song than I'd ever heard among all my school mates in college...Lolol A whole new respect for those songs ---- Never Mind hearing him coaching the Singers!!! I remember working with a tenor on E lucevan -- and his descriptions of how to sing "e muio disperato" with all this "frontal focus"/tenor ping" has stuck with me 45 years later!
When I view this, I try to put myself into the position of the Master Class participants. I graduated with a Bachelor's degree in physics. I imagine the trepidation I would experience if I were to present before the pinnacle of physics theory: Einstein, or the pinnacle of pedagogy: Feynman. Would I have been able to perform? I'm certain, that - if I had been able to keep my s*@t together, and if I were to have performed as well as these Master candidates, I would have taken the input from the assessments and would forever pursue my dreams without limit!
merci pour la traduction FRANÇAISE.un des plus grand MAITRE du chant LYRIQUE ,j'ai pue lui parler a la vieille charité Marseille,cela a été un grand moment,je m'en souvient encor,il a donné un Récital une Merveille.que DIEU et son ÂME.
Di Provenza il mar, il suol - chi dal cor ti cancello? Al natio fulgente sol - qual destino ti furò? Oh, rammenta pur nel duol - ch'ivi gioia a te brillò; E che pace colà sol - su te splendere ancor può. Dio mi guidò! Ah! il tuo vecchio genitor - tu non sai quanto soffrì Te lontano, di squallor il suo tetto si coprì Ma se alfin ti trovo ancor, - se in me speme non fallì, Se la voce dell'onor - in te appien non ammutì, Dio m'esaudì!
Govore čiste gluposti, bez izrazajno pjevanje , pjevanje na nos tako ružno zvuči , neprirodno, jer mi ne gocorimo iz glave nego iz grla , to je ljudski instrument !
She cannot transmit her enormous knowledge in some minutes. Or maybe at all. She was a huge artist, technical genius. We all try to learn by looking and hearing her. ❤
Freni fue una cantante superlativa, heredera de la tradición italiana, con sonido brillante y expansivo, igual que Pavarotti. Aquí ya está vieja, con cero paciencia, cero modales y ni el más mínimo criterio pedagógico. Por otra parte, si bien los alumnos tienen unas voces hermosas, su técnica es deficiente, con los sonidos oscurecidos artificialmente, como cantan la mayoría de los cantantes líricos profesionales en la actualidad. Es una pena que esa antigua tradición italiana está cayendo cada vez más en el olvido. Para Freni no pasa inadvertida esa deficiencia técnica en los alumnos. Pero claro, hay maneras y maneras de corregir. Ridiculizar o violentar al alumno, definitivamente no es el modo.