Outside in Music is a record label that serves to release music by visionary new talent to the world. OiM aims to share the artistry and musicianship of each of its artists on their own terms. The label is the foundation of a musical community where the common thread is a passion for pursuing music and artistry on the highest level.
The older I get the more problems I have with the guitar in jazz. So often it’s just not a nice sound. And before the abuse starts I have been a jazz guitar player for a long lifetime. It’s not unusual for jazz musicians to avoid guitar players for various reasons and sadly I’m starting to agree with them.
🎉 Fabulous! Outstanding! I can now sit in my garage, turn all my speakers up, and enjoy the Real Big Band Sound. (Hell - Let's wake the neighbors, shall we?) 😅
Don't like the guitarsound that much. The trebly tone of the gretch doesn't blend well dinamicly with the rest of the band, at least in the solo... Julian lage has a simular sound, when he plays straight ahead, but he's more expressiv and has more texture and dynamics in his tone, that he uses as a tool, to interact with the band... Nothing against Oz Noy though, I think he's great with the Rock/fusion stuff, but Bebop? I don't know...
@@leoosiku Of course OZ has great Bebop Chops XD Don't confuse my statement, you don't know what your'e talking about... I said, I just don't dig the Guitarsound that much in this setting. Straight Ahead Bebop/traditionell music is different from fusion. It's maybe a Personal thing, but Everyone can have his opinion. I compared Julian with Oz, because I hear simularities in the Tone and the Sound, but to me, Julian sounds better, when he plays traditionell, because it's more his thing. Oz, on the other hand, usually doesn't play that much traditionell or Bebop. I think, A schooled listener, like myself can simply hear the difference. But I don't want to put down Oz in any way, with that Statement, because I very much like his other work, that he did.
