every year around Whitsun we organize an international Festival which is mainly for choirs. Every odd year we organize the International Chamber Choir Competition Marktoberdorf, every even year the Festival Musica Sara International with groups of all major world religions,
Ngl, this song might be one of the major reasons why they placed last in this competition. It’s indicated sa pyesa na 112 yung speed. This is definitely way too fast for 112. You can hear may singers na nadedelay din. I can’t even understand the lyrics anymore, nagkakaroon na ng intonation issues, and hindi na rin minsan nabubuo yung chords. Definitely would be good for crowd work but not good sa part ng judges. Wala namang audience impact sa judging.
Translation from Diangan and Cebuano lyrics: Forever new The unchangeable beauty of Your presence Gives me strength You are holy, God of all Praise be Your name I will praise You Praise the Lord!
En el tronco de un árbol una niña Grabó su nombre henchida de placer Y el árbol conmovido allá en su seno A la niña una flor dejó caer Yo soy el árbol conmovido y triste Tu eres la niña que mi tronco hirió Yo guardo siempre tu querido nombre ¿y tú qué has hecho de mi pobre flor? Mamá las lágrimas se me salen Mamá quiero llorar y no puedo
Régine théodoresco est une chef de choeur trés connue et appréciée dans la région Lyonnaise, entre autre parmi les chorales A CHOEUR JOIE , nous aimions beaucoup travailler avec elle, merci à elle pour tout ce qu'elle nous a apporté dans l'art du chant choral
This is a complete misrepresentation of an ancestral song that belongs to a specific Nisga'a Maternal family. There are so many wrongs in this display, which you have been informed of in other comments, yet you continue to share this version as a complete act of disrespect for all Indigenous people. Your entitlement of "unknowingness" is beyond words that trigger feelings so deeply embedded, that it awakens the auric memories of the invasion of this continent. By stating the original perpetrator was Marius Barbeau, (who is also known for stealing a totem pole from another Nisga'a family while they were away working) doesn't make it right. If you want to make things right, contact the Nisga'a Nation and they will direct you to the proper people of what to do next: They area easily found in a simple google search.
Conheci o Philippe em 2005, quando a convite do professor Milton Monte, veio dar um curso para regentes e neste recital cantamos o Te Deun de Delalande entre outras peças. Em setembro ele estará novamente conosco (Belém do Pará- Brasil) para reger o Morcego com um coro e orquestra de camera. Obrigado pela postagem.
00:01 01-Singet dem Herrn ein neues Lied 04:22 02-Wie sich ein Vater erbarmet 08:14 03-Lobet dem Herrn in seinen Taten 09:38 04-Alles, was Odem hat, lobe den Herren, Halleluja!
Thank you so much for this video. I have been rewatching it ocasionally for many years. Do you know what - if at all - vedic stories or qualities are visualized in this dance? What do the copper plate and the mug symbolize?
Bei allem Respekt dennoch ein paar Fragen: Warum Solostimmen versus Raumakustik? Warum bei der Tonabnahme manche Stimmen präferieren (lassen)? Wo bleibt der Atem in der Musik - vgl. Greta Pedersen (Norwegischer Choir / nicht viel langsamer - aber)? Warum ließ man es zu, dass die Kameraführung mitunter an Seekrankheit litt?
@@tomfenn7149 Same here. Oddly enough, I was born not too far from Bonato's hometown- we could talk to each other in dialect rather than Italian- but I've discovered his music only today in Southeast Asia, of all places. It may be a small world- but this music is big.
@@viviandarkbloom8847 My father owns a small flat in Triora in the Liguria district of northern Italy, and he was originally drawn there because of a series of early music concerts performed by a friend of his who is a member of the Tallis Scholars. They were before the pandemic holding early music concerts in Triora and this one from Banato would've been perfect for that festival. It may of course already have been performed, but I will share this video with him a will ask. My daughter is also a soprano (she's currently a member the City of Birmingham Orchestra Youth Chorus), but she was also completely wow'ed by this piece, but was surprised never to have heard of it before. She now wants to pass it on to her music tutor, and maybe Julian Wilkins the choirmaster at the CBSO would commission it to be performed? Here's hoping that it can be performed again soon, not only in Italy but also in England. We can only live in hope! :)
@@tomfenn7149 Hear, hear! Speaking of hope, it's so encouraging to know there are still young wenches who love proper music. Triora is a bewitching (quite literally so) village, congratulations to your dad on the brilliant choice of location. All the best to you and your household.
