9:36 아리아 (카이사르) - Empio, dirò, tu sei, togliti 폭군아 내 눈에 띄지 마라 19:54 아리아 (세스토) - Svegliatevi nel core, furie d'un alma offesa 내 가슴 속에서 깨어나라 31:38 아리아 (클레오파트라) - Non disperar; chi sa? se al regno 실망하지 말거라, 누가 알겠니? 36:00 레치타티보 아콤파냐토 (카이사르) - Alma del gran Pompeo 위대한 폼페이우스의 영혼 43:52 아리아 (클레오파트라) - Tutto può donna vezzosa 예쁜 여자는 뭐든 할 수 있지 1:00:28 아리아 (카이사르) - Va tacito e nascosto 조용히 비밀리에 1:13:32 듀엣 (코르넬리아, 섹스투스) - Son nata a lagrimar 눈물 흘릴 운명으로 태어나 1:21:54 아리아 (니레노) - Chi perde un momento 순간을 잃는 자 1:28:22 아리아 (클레오파트라) - V'adoro pupille 사랑해요 당신을
been following M. Hirasaki for several years; just can't take my ears off of her wonderful performance. Bravo to the lutist and harpsichord player as well as the recording team for capturing the atmohphere of the hall and balance.
I am bowled over by the Semele of Marie Lys - and I've seen a few! Wonderfully dramatic singing, and Vivica is giving the best performance I ve seen from her too. Petrou, as usual, a genius of pace and drawing out the individual strands of his orchestra. I can't wait to see acts two and three!
Nichts gegen Jazz, aber hier ist die Mischung aus Barock und Jazz m.E. nicht angebracht (z.B.ab 121.54). Wenn, dann eindeutig entweder Jazz, wie es Quincy Jones mit "Messiah" fabelhaft gemacht hat, oder die Originalpartitur.
Fermati, non fuggir! Lasciami pria morir, Fillide ingrata! Scorgi la mia costanza, poi, se rigor t'avanza, scacciami del tuo sen, bella ostinata! Fermati, non fuggir! Lasciami pria morir, Fillide ingrata! Forse che un giorno il Dio d'amore potrebbe al core piaga formarti, che sia mortal. Che bel mirarti allor languire, penar, soffrire, l'aspre punture d'acuto stral. Forse che un giorno il Dio d'amore potrebbe al core piaga formarti, che sia mortal. The second aria is a "continuo aria", that means "with bass group only".
The Arrival of the Queen of Sheba, sinfonia for two oboes and strings by George Frideric Handel was created in 1749 at London’s Covent Garden Theatre as part of his new Biblical oratorio into the first scene of Act III in the oratorio Solomon. This one is rarely performed in its entirety, but Handel’s bright and lively interlude The Arrival of the Queen of Sheba (in A major) is a widely appreciated processional set piece. In the Book of Kings, the Queen of Sheba travels from afar to visit the splendid court of King Solomon, arriving, as the bible mentions with a very great retinue, then camels bearing spices, and very much gold, and precious stones. Handel’s music admirably captures the excitement of a lavish state visit of an exotic foreign Queen, and first-night London audiences would have had no problem reading of Handel’s depiction and the coming of a compliment by their reigning monarch, King George II. Be like a good Prince in love with glory, and make a story of you. This King must have been a lover of art. *Lucien*
Bloody good. - and great actually to hear the wonderful opening line of the oboes for once. 2:42 This time, the oboes are not going to hand the lead back neatly - having too much fun, and the fiddles have to wrest back the theme. But it's not nice to 'dead-name' people; it's Handel.
Vielen dank! MAGNIFICENT! THANK YOU! PEACE AND BLESSINGS!
9 месяцев назад
Ich denke, dass beim Streaming der IHF Göttingen noch reichlich Potential an Optimierung drin steckt. Vieles hier wirkt wie mitgefilnte Schulaufführung.
Superb ! It leaves an impression, as if such a timeless piece - could really be written just for this one, brilliant performance. ..It's almost, like hearing this composition "again, for the first time" !
